Indirections: Shakespeare and the Art of IllusionUniversity of Toronto Press, 1978 - 194 Seiten |
Im Buch
Ergebnisse 1-3 von 31
Seite 30
... court - country dichotomy in the same way that he is treating the other traditional materials in the play - with double - edged irony . He induces us to take a critical view , not only of court or country but of the literary nature of ...
... court - country dichotomy in the same way that he is treating the other traditional materials in the play - with double - edged irony . He induces us to take a critical view , not only of court or country but of the literary nature of ...
Seite 38
... court , representing a turning point in the transformation from the older , medieval notion of the court as the moral centre of the nation ( typified by the Arthurian stories ) to the later seven- teenth- and eighteenth - century ...
... court , representing a turning point in the transformation from the older , medieval notion of the court as the moral centre of the nation ( typified by the Arthurian stories ) to the later seven- teenth- and eighteenth - century ...
Seite 50
... court circles was self - conscious elaboration of cos- tume ( Osric's clothes would presumably be as flowery as his speech ) which be- spoke for an individual courtier a higher ' place ' - in the Baconian rather than the traditional ...
... court circles was self - conscious elaboration of cos- tume ( Osric's clothes would presumably be as flowery as his speech ) which be- spoke for an individual courtier a higher ' place ' - in the Baconian rather than the traditional ...
Inhalt
Abschnitt 1 | 3 |
Abschnitt 2 | 20 |
Abschnitt 3 | 38 |
Urheberrecht | |
5 weitere Abschnitte werden nicht angezeigt.
Andere Ausgaben - Alle anzeigen
Häufige Begriffe und Wortgruppen
accept action All's ambiguous Angelo Antony Antony and Cleopatra argues attitude audience aware Bassanio Bertram characters Claudius Cleopatra comic context court created critics death Diana discussion disguise Duke Duke's effect especially evil example fact false feeling final scene Gloucester's Guildenstern Hamlet hath Helena heroine honour human identity illusion Illyria important irony Isabella Jaques justice kind King Lear language Leontes London lovers madness magic manipulation masque meaning Measure for Measure Merchant of Venice metaphor Midsummer Night's Dream Miranda moral nature Orlando pageant Parolles pastoral perception Phebe play's plot political Polixenes Polonius Portia presents problem Problem Comedies Prospero reality relation response role role-playing romance Rosalind says seems sense sexual Shakespeare Shylock social speech structure Tempest theatre theatrical theme thou tion traditional tragic Troilus and Cressida truth Twelfth Night virginity vision whole play Winter's Tale words