Indirections: Shakespeare and the Art of IllusionUniversity of Toronto Press, 1978 - 194 Seiten |
Im Buch
Ergebnisse 1-3 von 30
Seite 5
... criticism has tried to come to terms with the problem of Shylock , but a good deal of it , unfortunately , tends to find oversimplified solutions which fit neither the action nor the humanity of the characters . Many critics have deve ...
... criticism has tried to come to terms with the problem of Shylock , but a good deal of it , unfortunately , tends to find oversimplified solutions which fit neither the action nor the humanity of the characters . Many critics have deve ...
Seite 6
... critics in more detail , emphasize . As a critique of the ' romantic ' or allegorizing critics , it is successful . However , Moody's argument does not meet Stoll's major points ; it is too academic , too much a product of the study ...
... critics in more detail , emphasize . As a critique of the ' romantic ' or allegorizing critics , it is successful . However , Moody's argument does not meet Stoll's major points ; it is too academic , too much a product of the study ...
Seite 175
... Critics , ' he writes , ' who try like Salerio and Solanio to discover the cause of this sadness are wilfully ignoring its dramatic point . ' It exists primarily as a ' loss of inner equilibrium , ' which fittingly introduces a ' sense ...
... Critics , ' he writes , ' who try like Salerio and Solanio to discover the cause of this sadness are wilfully ignoring its dramatic point . ' It exists primarily as a ' loss of inner equilibrium , ' which fittingly introduces a ' sense ...
Inhalt
Abschnitt 1 | 3 |
Abschnitt 2 | 20 |
Abschnitt 3 | 38 |
Urheberrecht | |
5 weitere Abschnitte werden nicht angezeigt.
Andere Ausgaben - Alle anzeigen
Häufige Begriffe und Wortgruppen
accept action All's ambiguous Angelo Antony Antony and Cleopatra argues attitude audience aware Bassanio Bertram characters Claudius Cleopatra comic context court created critics death Diana discussion disguise Duke Duke's effect especially evil example fact false feeling final scene Gloucester's Guildenstern Hamlet hath Helena heroine honour human identity illusion Illyria important irony Isabella Jaques justice kind King Lear language Leontes London lovers madness magic manipulation masque meaning Measure for Measure Merchant of Venice metaphor Midsummer Night's Dream Miranda moral nature Orlando pageant Parolles pastoral perception Phebe play's plot political Polixenes Polonius Portia presents problem Problem Comedies Prospero reality relation response role role-playing romance Rosalind says seems sense sexual Shakespeare Shylock social speech structure Tempest theatre theatrical theme thou tion traditional tragic Troilus and Cressida truth Twelfth Night virginity vision whole play Winter's Tale words