Indirections: Shakespeare and the Art of IllusionUniversity of Toronto Press, 1978 - 194 Seiten |
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Seite xiii
... Disguise , not surpris- ingly , can take many forms . But the usual structure arising out of disguise , and the reflexivity that often accompanies it , has always been typical more of com- edy than of tragedy . This book originally was ...
... Disguise , not surpris- ingly , can take many forms . But the usual structure arising out of disguise , and the reflexivity that often accompanies it , has always been typical more of com- edy than of tragedy . This book originally was ...
Seite 20
... disguise , first of all , has no function on the level of plot beyond getting her safely away from the court and into the pastoral forest of Arden . Once she has arrived there , her original pur- pose in donning the disguise loses its ...
... disguise , first of all , has no function on the level of plot beyond getting her safely away from the court and into the pastoral forest of Arden . Once she has arrived there , her original pur- pose in donning the disguise loses its ...
Seite 44
... disguise like those in the comedies we have been looking at . Which is not to deny the very real symptoms of disorder that he periodically manifests , especially in the scene reported by Ophelia . The fact that the madness is a response ...
... disguise like those in the comedies we have been looking at . Which is not to deny the very real symptoms of disorder that he periodically manifests , especially in the scene reported by Ophelia . The fact that the madness is a response ...
Inhalt
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Abschnitt 2 | 20 |
Abschnitt 3 | 38 |
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accept action All's ambiguous Angelo Antony Antony and Cleopatra argues attitude audience aware Bassanio Bertram characters Claudius Cleopatra comic context court created critics death Diana discussion disguise Duke Duke's effect especially evil example fact false feeling final scene Gloucester's Guildenstern Hamlet hath Helena heroine honour human identity illusion Illyria important irony Isabella Jaques justice kind King Lear language Leontes London lovers madness magic manipulation masque meaning Measure for Measure Merchant of Venice metaphor Midsummer Night's Dream Miranda moral nature Orlando pageant Parolles pastoral perception Phebe play's plot political Polixenes Polonius Portia presents problem Problem Comedies Prospero reality relation response role role-playing romance Rosalind says seems sense sexual Shakespeare Shylock social speech structure Tempest theatre theatrical theme thou tion traditional tragic Troilus and Cressida truth Twelfth Night virginity vision whole play Winter's Tale words