Indirections: Shakespeare and the Art of IllusionUniversity of Toronto Press, 1978 - 194 Seiten |
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Seite 23
... experience . She is in the anomalous position of denying the rele- vance of the language of courtly love while at ... experience , since this is the only way she can understand the experience of others . She can only understand Silvius's ...
... experience . She is in the anomalous position of denying the rele- vance of the language of courtly love while at ... experience , since this is the only way she can understand the experience of others . She can only understand Silvius's ...
Seite 34
Shakespeare and the Art of Illusion Anthony B. Dawson. actual experience , in order to allow that experience to be illuminated . Such is the rationale behind the play - acting within the play , behind the whole play as illusion , and ...
Shakespeare and the Art of Illusion Anthony B. Dawson. actual experience , in order to allow that experience to be illuminated . Such is the rationale behind the play - acting within the play , behind the whole play as illusion , and ...
Seite 69
... experience of the lovers and they also suggest a further relation between main plot and comic subplot . For Bottom too has been ' transfigured , ' but on a purely physical , asinine level , and the experience has washed right off him ...
... experience of the lovers and they also suggest a further relation between main plot and comic subplot . For Bottom too has been ' transfigured , ' but on a purely physical , asinine level , and the experience has washed right off him ...
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accept action All's ambiguous Angelo Antony Antony and Cleopatra argues attitude audience aware Bassanio Bertram characters Claudius Cleopatra comic context court created critics death Diana discussion disguise Duke Duke's effect especially evil example fact false feeling final scene Gloucester's Guildenstern Hamlet hath Helena heroine honour human identity illusion Illyria important irony Isabella Jaques justice kind King Lear language Leontes London lovers madness magic manipulation masque meaning Measure for Measure Merchant of Venice metaphor Midsummer Night's Dream Miranda moral nature Orlando pageant Parolles pastoral perception Phebe play's plot political Polixenes Polonius Portia presents problem Problem Comedies Prospero reality relation response role role-playing romance Rosalind says seems sense sexual Shakespeare Shylock social speech structure Tempest theatre theatrical theme thou tion traditional tragic Troilus and Cressida truth Twelfth Night virginity vision whole play Winter's Tale words