Indirections: Shakespeare and the Art of IllusionUniversity of Toronto Press, 1978 - 194 Seiten |
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Seite 33
... force him to look into himself in a way that ordinary wooing never would . Orlando does not want to be cured , but he agrees to act out Ganymede's little play . In so doing , he accepts the role - playing , the theatrical aspect , and ...
... force him to look into himself in a way that ordinary wooing never would . Orlando does not want to be cured , but he agrees to act out Ganymede's little play . In so doing , he accepts the role - playing , the theatrical aspect , and ...
Seite 38
... forces , with Hamlet , who considers himself the rightful heir and whom an Elizabethan audience would naturally regard as dispossessed , lined up against the overtly political craftsmen , Claudius , Polonius , and their lackeys . The ...
... forces , with Hamlet , who considers himself the rightful heir and whom an Elizabethan audience would naturally regard as dispossessed , lined up against the overtly political craftsmen , Claudius , Polonius , and their lackeys . The ...
Seite 125
... force of events is directed to- wards inculcating this kind of consciousness , in Measure for Measure it is by no means certain that Angelo achieves anything like it . Although the playing and illusions do provide insight for us , there ...
... force of events is directed to- wards inculcating this kind of consciousness , in Measure for Measure it is by no means certain that Angelo achieves anything like it . Although the playing and illusions do provide insight for us , there ...
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Abschnitt 2 | 20 |
Abschnitt 3 | 38 |
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accept action All's ambiguous Angelo Antony Antony and Cleopatra argues attitude audience aware Bassanio Bertram characters Claudius Cleopatra comic context court created critics death Diana discussion disguise Duke Duke's effect especially evil example fact false feeling final scene Gloucester's Guildenstern Hamlet hath Helena heroine honour human identity illusion Illyria important irony Isabella Jaques justice kind King Lear language Leontes London lovers madness magic manipulation masque meaning Measure for Measure Merchant of Venice metaphor Midsummer Night's Dream Miranda moral nature Orlando pageant Parolles pastoral perception Phebe play's plot political Polixenes Polonius Portia presents problem Problem Comedies Prospero reality relation response role role-playing romance Rosalind says seems sense sexual Shakespeare Shylock social speech structure Tempest theatre theatrical theme thou tion traditional tragic Troilus and Cressida truth Twelfth Night virginity vision whole play Winter's Tale words