Indirections: Shakespeare and the Art of IllusionUniversity of Toronto Press, 1978 - 194 Seiten |
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Seite 54
... kind of dual reality , as shows created by the artist - magician and as events perceived as real by the people involved . The Tempest explores the rela- tionship between these two aspects of reality and depicts the transforming power of ...
... kind of dual reality , as shows created by the artist - magician and as events perceived as real by the people involved . The Tempest explores the rela- tionship between these two aspects of reality and depicts the transforming power of ...
Seite 105
... kind of awareness and self - knowledge that are the products of such mani- pulations in earlier comedies ? This is not really its effect ; for the theatricality of , say , the last scene of As You Like It is the culmination of a process ...
... kind of awareness and self - knowledge that are the products of such mani- pulations in earlier comedies ? This is not really its effect ; for the theatricality of , say , the last scene of As You Like It is the culmination of a process ...
Seite 126
... kind of sexuality is not really tempered by the Duke's illusion - making or the forced marriages . It is important that Lucio is the one character the Duke cannot control during the scene and that his marriage is thrust upon him as a ...
... kind of sexuality is not really tempered by the Duke's illusion - making or the forced marriages . It is important that Lucio is the one character the Duke cannot control during the scene and that his marriage is thrust upon him as a ...
Inhalt
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Abschnitt 2 | 20 |
Abschnitt 3 | 38 |
Urheberrecht | |
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accept action All's ambiguous Angelo Antony Antony and Cleopatra argues attitude audience aware Bassanio Bertram characters Claudius Cleopatra comic context court created critics death Diana discussion disguise Duke Duke's effect especially evil example fact false feeling final scene Gloucester's Guildenstern Hamlet hath Helena heroine honour human identity illusion Illyria important irony Isabella Jaques justice kind King Lear language Leontes London lovers madness magic manipulation masque meaning Measure for Measure Merchant of Venice metaphor Midsummer Night's Dream Miranda moral nature Orlando pageant Parolles pastoral perception Phebe play's plot political Polixenes Polonius Portia presents problem Problem Comedies Prospero reality relation response role role-playing romance Rosalind says seems sense sexual Shakespeare Shylock social speech structure Tempest theatre theatrical theme thou tion traditional tragic Troilus and Cressida truth Twelfth Night virginity vision whole play Winter's Tale words