Indirections: Shakespeare and the Art of IllusionUniversity of Toronto Press, 1978 - 194 Seiten |
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Seite 7
... play manipulates our responses so that the contra- dictions just reviewed may be given full play and yet supported within a larger comic framework . If we examine the play in terms of its use of illusion and levels of comic detachment ...
... play manipulates our responses so that the contra- dictions just reviewed may be given full play and yet supported within a larger comic framework . If we examine the play in terms of its use of illusion and levels of comic detachment ...
Seite 47
... play relation ; the very sources of our pleasure ( we enjoy being an audience ) are called into question by the fact that a certain scheming or guilty consciousness is so often associated in the play with listening and watching . This ...
... play relation ; the very sources of our pleasure ( we enjoy being an audience ) are called into question by the fact that a certain scheming or guilty consciousness is so often associated in the play with listening and watching . This ...
Seite 163
... play . The most basic point of analogy is the fact that both masque and play are cre- ated by Prospero , this presentation being an image of the much more compli- cated question of the creation of the whole play . Both masque and play ...
... play . The most basic point of analogy is the fact that both masque and play are cre- ated by Prospero , this presentation being an image of the much more compli- cated question of the creation of the whole play . Both masque and play ...
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accept action All's ambiguous Angelo Antony Antony and Cleopatra argues attitude audience aware Bassanio Bertram characters Claudius Cleopatra comic context court created critics death Diana discussion disguise Duke Duke's effect especially evil example fact false feeling final scene Gloucester's Guildenstern Hamlet hath Helena heroine honour human identity illusion Illyria important irony Isabella Jaques justice kind King Lear language Leontes London lovers madness magic manipulation masque meaning Measure for Measure Merchant of Venice metaphor Midsummer Night's Dream Miranda moral nature Orlando pageant Parolles pastoral perception Phebe play's plot political Polixenes Polonius Portia presents problem Problem Comedies Prospero reality relation response role role-playing romance Rosalind says seems sense sexual Shakespeare Shylock social speech structure Tempest theatre theatrical theme thou tion traditional tragic Troilus and Cressida truth Twelfth Night virginity vision whole play Winter's Tale words