Indirections: Shakespeare and the Art of IllusionUniversity of Toronto Press, 1978 - 194 Seiten |
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Seite 38
... political tools.1 Comic manipulation be- comes political intrigue , and the sympathy of the audience , our sense of the val- ue of ' playing , ' is reduced and finally alienated . As has often been noticed , the play is full of spying ...
... political tools.1 Comic manipulation be- comes political intrigue , and the sympathy of the audience , our sense of the val- ue of ' playing , ' is reduced and finally alienated . As has often been noticed , the play is full of spying ...
Seite 45
... politics of the new society are not an issue , although similar political evils - usurpation , banishment , ambition - are as important to As You Like It as to Hamlet ; nor is the struggle to achieve a new society presented as a political ...
... politics of the new society are not an issue , although similar political evils - usurpation , banishment , ambition - are as important to As You Like It as to Hamlet ; nor is the struggle to achieve a new society presented as a political ...
Seite 53
... political or cultural consciousness signalling the decline of the old order and its political imperatives . In Richard II , this transi- tion is reflected in the play as a whole ( its political relevance was not lost on the followers of ...
... political or cultural consciousness signalling the decline of the old order and its political imperatives . In Richard II , this transi- tion is reflected in the play as a whole ( its political relevance was not lost on the followers of ...
Inhalt
Abschnitt 1 | 3 |
Abschnitt 2 | 20 |
Abschnitt 3 | 38 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
accept action All's ambiguous Angelo Antony Antony and Cleopatra argues attitude audience aware Bassanio Bertram characters Claudius Cleopatra comic context court created critics death Diana discussion disguise Duke Duke's effect especially evil example fact false feeling final scene Gloucester's Guildenstern Hamlet hath Helena heroine honour human identity illusion Illyria important irony Isabella Jaques justice kind King Lear language Leontes London lovers madness magic manipulation masque meaning Measure for Measure Merchant of Venice metaphor Midsummer Night's Dream Miranda moral nature Orlando pageant Parolles pastoral perception Phebe play's plot political Polixenes Polonius Portia presents problem Problem Comedies Prospero reality relation response role role-playing romance Rosalind says seems sense sexual Shakespeare Shylock social speech structure Tempest theatre theatrical theme thou tion traditional tragic Troilus and Cressida truth Twelfth Night virginity vision whole play Winter's Tale words