Indirections: Shakespeare and the Art of IllusionUniversity of Toronto Press, 1978 - 194 Seiten |
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Seite 24
... role is itself a part of the process of de- veloping self - awareness . A reversal of role was necessary in Phebe's case since only then could she recognize her previous behaviour as a role . Now , the rela- tionship of this action to ...
... role is itself a part of the process of de- veloping self - awareness . A reversal of role was necessary in Phebe's case since only then could she recognize her previous behaviour as a role . Now , the rela- tionship of this action to ...
Seite 33
... role as Rosalind , a detachment which is built into the very nature of playing a part , so Rosalind maintains a de- tachment about her dual role . This allows her to see herself in perspective and to say things to Orlando that she could ...
... role as Rosalind , a detachment which is built into the very nature of playing a part , so Rosalind maintains a de- tachment about her dual role . This allows her to see herself in perspective and to say things to Orlando that she could ...
Seite 150
... role too fully , and draws back to ascribe it to the sort of playing typical of Whitsun pastorals ( festivals of spring with both pagan and Christian connotations ) . Her ' robe , ' her role , changes her disposition , allowing her to ...
... role too fully , and draws back to ascribe it to the sort of playing typical of Whitsun pastorals ( festivals of spring with both pagan and Christian connotations ) . Her ' robe , ' her role , changes her disposition , allowing her to ...
Inhalt
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Abschnitt 2 | 20 |
Abschnitt 3 | 38 |
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accept action All's ambiguous Angelo Antony Antony and Cleopatra argues attitude audience aware Bassanio Bertram characters Claudius Cleopatra comic context court created critics death Diana discussion disguise Duke Duke's effect especially evil example fact false feeling final scene Gloucester's Guildenstern Hamlet hath Helena heroine honour human identity illusion Illyria important irony Isabella Jaques justice kind King Lear language Leontes London lovers madness magic manipulation masque meaning Measure for Measure Merchant of Venice metaphor Midsummer Night's Dream Miranda moral nature Orlando pageant Parolles pastoral perception Phebe play's plot political Polixenes Polonius Portia presents problem Problem Comedies Prospero reality relation response role role-playing romance Rosalind says seems sense sexual Shakespeare Shylock social speech structure Tempest theatre theatrical theme thou tion traditional tragic Troilus and Cressida truth Twelfth Night virginity vision whole play Winter's Tale words