Indirections: Shakespeare and the Art of IllusionUniversity of Toronto Press, 1978 - 194 Seiten |
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Seite 71
... structure - this , too , distinguishes it from The Mer- chant of Venice , As You Like It , and even such an ethereal piece as A Midsum- mer Night's Dream , where the solid presence of Theseus and his court gives weight to the beginning ...
... structure - this , too , distinguishes it from The Mer- chant of Venice , As You Like It , and even such an ethereal piece as A Midsum- mer Night's Dream , where the solid presence of Theseus and his court gives weight to the beginning ...
Seite 79
... structure , the speech enacts in miniature the conflicts it de- scribes . It is built on a tension between a highly controlled and regulated syntax and uncontrolled , associative leaps of thought . It begins with a very tight rheto ...
... structure , the speech enacts in miniature the conflicts it de- scribes . It is built on a tension between a highly controlled and regulated syntax and uncontrolled , associative leaps of thought . It begins with a very tight rheto ...
Seite 119
... structural patterns typical of Shakespearean comedy . My point is that it does not . Again here , though it takes a ... structure of the play , is rather abstractly conceived . W.W. Lawrence makes the point that his character springs ...
... structural patterns typical of Shakespearean comedy . My point is that it does not . Again here , though it takes a ... structure of the play , is rather abstractly conceived . W.W. Lawrence makes the point that his character springs ...
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accept action All's ambiguous Angelo Antony Antony and Cleopatra argues attitude audience aware Bassanio Bertram characters Claudius Cleopatra comic context court created critics death Diana discussion disguise Duke Duke's effect especially evil example fact false feeling final scene Gloucester's Guildenstern Hamlet hath Helena heroine honour human identity illusion Illyria important irony Isabella Jaques justice kind King Lear language Leontes London lovers madness magic manipulation masque meaning Measure for Measure Merchant of Venice metaphor Midsummer Night's Dream Miranda moral nature Orlando pageant Parolles pastoral perception Phebe play's plot political Polixenes Polonius Portia presents problem Problem Comedies Prospero reality relation response role role-playing romance Rosalind says seems sense sexual Shakespeare Shylock social speech structure Tempest theatre theatrical theme thou tion traditional tragic Troilus and Cressida truth Twelfth Night virginity vision whole play Winter's Tale words