Indirections: Shakespeare and the Art of IllusionUniversity of Toronto Press, 1978 - 194 Seiten |
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Seite 52
... tion with physical processes . Hamlet's attacks on both Ophelia and his mother reveal the extreme ambivalence he feels about women : his demand that they be excessively virginal and non - physical linked with his fear that they are ...
... tion with physical processes . Hamlet's attacks on both Ophelia and his mother reveal the extreme ambivalence he feels about women : his demand that they be excessively virginal and non - physical linked with his fear that they are ...
Seite 68
... tion of comic subplot and main plot is established in the first act when we hear that both the lovers and Quince , Bottom , and company will repair to the woods that night , though for very different reasons . Both groups are concerned ...
... tion of comic subplot and main plot is established in the first act when we hear that both the lovers and Quince , Bottom , and company will repair to the woods that night , though for very different reasons . Both groups are concerned ...
Seite 103
... tion , but also of the ambiguity of her own involvement.21 In her next speech , Helena reverts to her role as romantic heroine , an indica- tion that Shakespeare did not blend the romantic and realistic features of the play as ...
... tion , but also of the ambiguity of her own involvement.21 In her next speech , Helena reverts to her role as romantic heroine , an indica- tion that Shakespeare did not blend the romantic and realistic features of the play as ...
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accept action All's ambiguous Angelo Antony Antony and Cleopatra argues attitude audience aware Bassanio Bertram characters Claudius Cleopatra comic context court created critics death Diana discussion disguise Duke Duke's effect especially evil example fact false feeling final scene Gloucester's Guildenstern Hamlet hath Helena heroine honour human identity illusion Illyria important irony Isabella Jaques justice kind King Lear language Leontes London lovers madness magic manipulation masque meaning Measure for Measure Merchant of Venice metaphor Midsummer Night's Dream Miranda moral nature Orlando pageant Parolles pastoral perception Phebe play's plot political Polixenes Polonius Portia presents problem Problem Comedies Prospero reality relation response role role-playing romance Rosalind says seems sense sexual Shakespeare Shylock social speech structure Tempest theatre theatrical theme thou tion traditional tragic Troilus and Cressida truth Twelfth Night virginity vision whole play Winter's Tale words