Arrow of Chaos: Romanticism and PostmodernityU of Minnesota Press, 01.01.1997 - 251 Seiten Arrow of Chaos navigates through postmodern co-ordinates such as chaos theory and fractals, mapping the ongoing mutations of Romanticism in postmodern culture and t he inklings of the postmodern already at work in Romanticism . ' |
Inhalt
II | 3 |
III | 7 |
IV | 9 |
V | 1 |
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VIII | 6 |
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XXI | 6 |
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XXIII | 1 |
XXIV | 5 |
XXV | 7 |
XXVI | 7 |
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X | 2 |
XI | 5 |
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XXIX | 3 |
XXX | 5 |
XXXI | 1 |
XXXII | 5 |
XXXIII | 5 |
XXXIV | 1 |
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aligned ambiguous anamorphoscope assertion atom become Bei Dao binary Blake's body chaos chaos theory characterized Chinese Coleridge constitute continually contradiction cultural describes detective fiction difference disciplinary discipline discourse dream dynamic echo enacted Felpham figure film finally fixation fractal Frankenstein function galaxies gender Hayley hegemony human i-sections ideology insofar interpenetration ironic irony Keats Keats's kind knowledge L-dopa labor Lacan's letter literary Liu Kang logic marks Mary Shelley metaphor metonymic Michael Hardt mirror modern monster move multiple narrative narrator novel ongoing operates opposition panopticon paradigm Parkinsonian Parkinsonism patients play plurality poem poem's poet poetic poetry polarity political position postmodern power-knowledge problematic produce recursive relation Romantic Romanticism Sacks Sacks's scale scenario seems self-similarity semiotic Shelley Shelley's signifier space spiral stanza story strange attractor structure temporal THEORY things Tintern Abbey tion tonian trajectory truth turn wheel word Wordsworth writing