The TempestSimon and Schuster, 23.08.2011 - 272 Seiten Putting romance onstage, The Tempest gives us a magician, Prospero, a former duke of Milan who was displaced by his treacherous brother, Antonio. Prospero is exiled on an island, where his only companions are his daughter, Miranda, the spirit Ariel, and the monster Caliban. When his enemies are among those caught in a storm near the island, Prospero turns his power upon them through Ariel and other spirits. The characters exceed the roles of villains and heroes. Prospero seems heroic, yet he enslaves Caliban and has an appetite for revenge. Caliban seems to be a monster for attacking Miranda, but appears heroic in resisting Prospero, evoking the period of colonialism during which the play was written. Miranda's engagement to Ferdinand, the Prince of Naples and a member of the shipwrecked party, helps resolve the drama. The authoritative edition of The Tempest from The Folger Shakespeare Library, the trusted and widely used Shakespeare series for students and general readers, is now available as an eBook. Features include: · The exact text of the printed book for easy cross-reference · Hundreds of hypertext links for instant navigation · Freshly edited text based on the best early printed version of the play · Full explanatory notes conveniently placed on pages facing the text of the play · Scene-by-scene plot summaries · A key to famous lines and phrases · An introduction to reading Shakespeare’s language · Illustrations from the Folger Shakespeare Library’s vast holdings of rare books · An essay by a leading Shakespeare scholar providing a modern perspective on the play |
Im Buch
Ergebnisse 1-5 von 16
Seite i
... action summaries, full explanatory notes, many pictures clarifying Shakespeare's language, and notes recording all significant departures from the early printed versions. Each play is prefaced by a brief introduction, by a guide to ...
... action summaries, full explanatory notes, many pictures clarifying Shakespeare's language, and notes recording all significant departures from the early printed versions. Each play is prefaced by a brief introduction, by a guide to ...
Seite xv
... action, is at least felt. When reading on one's own, one must do what each actor does: go over the lines (often with a dictionary close at hand) until the puzzles are solved and the lines yield up their poetry and the characters speak ...
... action, is at least felt. When reading on one's own, one must do what each actor does: go over the lines (often with a dictionary close at hand) until the puzzles are solved and the lines yield up their poetry and the characters speak ...
Seite xxii
... Action. Finally, in reading Shakespeare's plays we should always remember that what we are reading is a performance script. The dialogue is written to be spoken by actors who, at the same time, are moving, gesturing, picking up objects ...
... Action. Finally, in reading Shakespeare's plays we should always remember that what we are reading is a performance script. The dialogue is written to be spoken by actors who, at the same time, are moving, gesturing, picking up objects ...
Seite xxiii
... action repays one many times over when one reaches a crucial scene like that of the Harpyking confrontation in 3.3 or that of the presentation of the masque in 4.1, in both of which scenes implied stage action vitally affects our ...
... action repays one many times over when one reaches a crucial scene like that of the Harpyking confrontation in 3.3 or that of the presentation of the masque in 4.1, in both of which scenes implied stage action vitally affects our ...
Seite xl
... action makes the change of location clear, and the characters are generally to be imagined as having moved from one place to another. For example, in Romeo and Juliet, Romeo and his friends remain onstage in Act 1 from scene 4 to scene ...
... action makes the change of location clear, and the characters are generally to be imagined as having moved from one place to another. For example, in Romeo and Juliet, Romeo and his friends remain onstage in Act 1 from scene 4 to scene ...
Andere Ausgaben - Alle anzeigen
Häufige Begriffe und Wortgruppen
action actors Alonso ANTONIO appears Ariel audience bear begin BOATSWAIN brave bring brother Caliban called carries Ceres characters charms Daedalus daughter describe directions drink drowned early edition English Enter example exits eyes father Ferdinand Folger Folio follow further give Globe GONZALO hand Harpy hath head hear heart human island keep kind King language Library live London longer note look lord magic master meaning Milan MIRANDA monster Naples nature never past performed perhaps play present Press printed Prospero quartos readers Reading scene SEBASTIAN seems Shakespeare’s Shakespeare’s plays ship sleep sometimes speak speech spirit stage stand STEPHANO story strange tell Tempest ACT theaters thee thing thou thought Trinculo University wind