The TempestSimon and Schuster, 23.08.2011 - 272 Seiten Putting romance onstage, The Tempest gives us a magician, Prospero, a former duke of Milan who was displaced by his treacherous brother, Antonio. Prospero is exiled on an island, where his only companions are his daughter, Miranda, the spirit Ariel, and the monster Caliban. When his enemies are among those caught in a storm near the island, Prospero turns his power upon them through Ariel and other spirits. The characters exceed the roles of villains and heroes. Prospero seems heroic, yet he enslaves Caliban and has an appetite for revenge. Caliban seems to be a monster for attacking Miranda, but appears heroic in resisting Prospero, evoking the period of colonialism during which the play was written. Miranda's engagement to Ferdinand, the Prince of Naples and a member of the shipwrecked party, helps resolve the drama. The authoritative edition of The Tempest from The Folger Shakespeare Library, the trusted and widely used Shakespeare series for students and general readers, is now available as an eBook. Features include: · The exact text of the printed book for easy cross-reference · Hundreds of hypertext links for instant navigation · Freshly edited text based on the best early printed version of the play · Full explanatory notes conveniently placed on pages facing the text of the play · Scene-by-scene plot summaries · A key to famous lines and phrases · An introduction to reading Shakespeare’s language · Illustrations from the Folger Shakespeare Library’s vast holdings of rare books · An essay by a leading Shakespeare scholar providing a modern perspective on the play |
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Seite xviii
... stands first, the sentence also inverts the “normal” order of subject/ verb/object. Or take Ferdinand's lines: “I, / Beyond all limit of what else i' th' world, / Do love, prize, honor you” (3.1.84–86). Here, the subject and verb “I do ...
... stands first, the sentence also inverts the “normal” order of subject/ verb/object. Or take Ferdinand's lines: “I, / Beyond all limit of what else i' th' world, / Do love, prize, honor you” (3.1.84–86). Here, the subject and verb “I do ...
Seite xxiii
... stands, and comes forward, saying “Though the seas threaten, they are merciful. / I have cursed them without cause,” and Alonso responds “Now, all the blessings / Of a glad father compass thee about! / Arise, and say how thou cam'st ...
... stands, and comes forward, saying “Though the seas threaten, they are merciful. / I have cursed them without cause,” and Alonso responds “Now, all the blessings / Of a glad father compass thee about! / Arise, and say how thou cam'st ...
Seite xxxvii
... stand in the two or three levels of roofed galleries that extended, on the upper levels, all the way around the theater and surrounded an open space. In this space were the stage and, perhaps, the tiring house (what we would call ...
... stand in the two or three levels of roofed galleries that extended, on the upper levels, all the way around the theater and surrounded an open space. In this space were the stage and, perhaps, the tiring house (what we would call ...
Seite xxxix
... standing room, the largest audience it could hold was less than a thousand, or about a quarter of what the Globe could accommodate. Admission to Blackfriars was correspondingly more expensive. Instead of a penny to stand in the yard ...
... standing room, the largest audience it could hold was less than a thousand, or about a quarter of what the Globe could accommodate. Admission to Blackfriars was correspondingly more expensive. Instead of a penny to stand in the yard ...
Seite xli
... stand at the window of her chamber in the famous and misnamed “balcony scene,” then the actor probably climbed the stairs to the gallery over the back of the stage and temporarily shared it with some of the spectators. The stage was ...
... stand at the window of her chamber in the famous and misnamed “balcony scene,” then the actor probably climbed the stairs to the gallery over the back of the stage and temporarily shared it with some of the spectators. The stage was ...
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Häufige Begriffe und Wortgruppen
action actors Alonso ANTONIO appears Ariel audience bear begin BOATSWAIN brave bring brother Caliban called carries Ceres characters charms Daedalus daughter describe directions drink drowned early edition English Enter example exits eyes father Ferdinand Folger Folio follow further give Globe GONZALO hand Harpy hath head hear heart human island keep kind King language Library live London longer note look lord magic master meaning Milan MIRANDA monster Naples nature never past performed perhaps play present Press printed Prospero quartos readers Reading scene SEBASTIAN seems Shakespeare’s Shakespeare’s plays ship sleep sometimes speak speech spirit stage stand STEPHANO story strange tell Tempest ACT theaters thee thing thou thought Trinculo University wind