Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 26Gale Research Company, 1984 |
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Seite 234
... Orsino and Olivia played as sentimental , or straight , parts ; as such they will appear poor acting material , particularly Orsino , and be easily submerged by the strong characters of Toby , An- drew , Malvolio and Maria . If this is ...
... Orsino and Olivia played as sentimental , or straight , parts ; as such they will appear poor acting material , particularly Orsino , and be easily submerged by the strong characters of Toby , An- drew , Malvolio and Maria . If this is ...
Seite 297
... Orsino's shoulders , and their mutual absorption was so great that they virtually forgot about Feste ; Orsino broke the spell with the next instruction about Olivia , thus increasing her frustration , but at the end of the scene he ...
... Orsino's shoulders , and their mutual absorption was so great that they virtually forgot about Feste ; Orsino broke the spell with the next instruction about Olivia , thus increasing her frustration , but at the end of the scene he ...
Seite 311
... Orsino : ' changeable taffeta . . . thy mind is a very opal ' [ II . iv . 74-75 ] —he is exactly right about Orsino . And here , interrupted on her way to Olivia's , Viola contem- plates the skill of the man who is ' wise enough to play ...
... Orsino : ' changeable taffeta . . . thy mind is a very opal ' [ II . iv . 74-75 ] —he is exactly right about Orsino . And here , interrupted on her way to Olivia's , Viola contem- plates the skill of the man who is ' wise enough to play ...
Inhalt
Alls Well That Ends Well | 1 |
The Comedy of Errors | 135 |
Twelfth Night | 196 |
Urheberrecht | |
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