Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 26Gale Research Company, 1984 |
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Seite 31
... become absorbed into the character she is playing . She has the roots of the matter in her for genuine classic acting , and experience of leading roles in her own country has already given her technical discipline and control . She ...
... become absorbed into the character she is playing . She has the roots of the matter in her for genuine classic acting , and experience of leading roles in her own country has already given her technical discipline and control . She ...
Seite 148
... become consistently more interesting this season , contributes a de- lightful study in wayward femininity as Adriana . Her dis- creet use of melodramatic tone and gesture creates come- dy quite independent of the text . Pauline Letts ...
... become consistently more interesting this season , contributes a de- lightful study in wayward femininity as Adriana . Her dis- creet use of melodramatic tone and gesture creates come- dy quite independent of the text . Pauline Letts ...
Seite 194
... become accustomed to the exterior of the convent ( decorated with cherubs ) as an occasional background during most of the play and then to center on the building when it becomes important at the climax of the plot . The spatial unity ...
... become accustomed to the exterior of the convent ( decorated with cherubs ) as an occasional background during most of the play and then to center on the building when it becomes important at the climax of the plot . The spatial unity ...
Inhalt
Alls Well That Ends Well | 1 |
The Comedy of Errors | 135 |
Twelfth Night | 196 |
Urheberrecht | |
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acting actors actress Adriana Aguecheek Antipholus audience Barton beautiful Bertram cast century Cesario character clown Comedy of Errors comic costumes Countess court Covent Garden critics Diana director dramatic dress Dromio Drury Lane duction Duke Elizabethan Ephesus essay date Fabian farce Feste Feste's Festival fool funny Gray's Inn Guthrie Hall Helena heroine Illyria Irving John jokes Kemble King Lafeu laugh Lavatch lines London look Malvolio mance Maria Michael Miss modern never Old Vic Olivia Orsino Parolles Peggy Ashcroft performance Peter play's plot praised production of Twelfth review date review of Twelfth revival Richard role romantic Royal Shakespeare Company scene Sebastian seems seen sense Shake Shakespeare Memorial Theatre Sir Andrew Sir Toby Belch song SOURCE speare speare's speech stage Stratford Stratford-upon-Avon Syracuse theatre theatrical tion Trevor Nunn Twelfth Night twins Tyrone Guthrie Viola William words young Zoë Wanamaker