The torrent roar'd, and we did buffet it Did from the flames of Troy upon his shoulder The old Anchises bear, so from the waves of Tiber Did I the tired Cæsar. And this man Is now become a god, and Cassius is A wretched creature, and must bend his body He had a fever when he was in Spain, And when the fit was on him, I did mark How he did shake 'tis true, this god did shake, And that same eye whose bend doth awe the world 146 SHAKESPEARE, Julius Caesar Once more unto the breach, dear friends, once more, Or close the wall up with our English dead! In peace there's nothing so becomes a man As modest stillness and humility; But when the blast of war blows in our ears, Let it pry through the portage of the head O'erhang and jutty his confounded base, Swill'd with the wild and wasteful ocean. SHAKESPEARE, Henry V 147 NATURE As a fond mother, when the day is o'er Nor wholly reassured and comforted By promises of others in their stead, Which, though more splendid, may not please him more; So Nature deals with us, and takes away Our playthings one by one, and by the hand Scarce knowing if we wish to go or stay, Being too full of sleep to understand How far the unknown transcends the what we know. 148 LONGFELLOW I left no ring with her. What means this lady? None of my lord's ring! Why, he sent her none. I am the man! If it be so, as 'tis, Poor lady, she were better love a dream. In women's waxen hearts to set their forms! For such as we are made of, such we be. It is too hard a knot for me to untie! 149 SHAKESPEARE, Twelfth Night The barge she sat in, like a burnish'd throne, Purple the sails, and so perfumed that The winds were love-sick with them; the oars were silver, Which to the tune of flutes kept stroke and made The water which they beat to follow faster, As amorous of their strokes. For her own person, SHAKESPEARE, Antony and Cleopatra 150 Farewell, a long farewell, to all my greatness! And then he falls as I do. I have ventured,— But far beyond my depth: my high-blown pride Of a rude stream that must forever hide me. SHAKESPEARE, Henry VIII SECTION V QUESTIONS, TOPICS FOR DISCUSSION, AND SUGGESTED READINGS CHAPTER I' QUESTIONS AND TOPICS FOR DISCUSSION 1. Define rhythm according to the method given in Chapter VIII and discuss its relation to physical and mental health; to speech training. 2. Discuss the relation (a) between posture and poise; (b) between poise and social adjustment; (c) between social adjustment and social control; (d) between all these and the general subject of speech training. 3. Define personality. 4. Discuss the relation between individual education and speech training. 5. Read the chapter on "Language" in Judd's Psychology of Social Institutions and discuss the author's contention that "language is the fundamental institution." 6. What practical help can the student of speech gain from the various schools of psychology? 7. Discuss the following aspects of speech training: (a) the scientific; (b) the practical; (c) the æsthetic; (d) the professional; (e) the social. 8. Discuss habit formation, especially in regard to speech training. 9. What connection, if any, is there between a good voice and good breeding? 10. Is it wise to attempt to develop the voice to a point beyond the general cultural development of the individual? How might such an attempt possibly be justified? What is the chief danger of such a course? 480 |