 From the supporting myrtles round They snatched her instruments of sound; And, as they oft had heard, apart, Sweet lessons of her forceful art, Each, for Madness ruled the hour, Would prove his own expressive power. First Fear his hand, its skill to try,...  Curiosities of Literature - Seite 214von Isaac Disraeli - 1893 - 582 SeitenVollansicht - Über dieses Buch
 | John Sabine - 1810 - 308 Seiten
...her forceful art, M 2 Each > Each, for madness rul'd the hour, Would prove his own expressive pow'r. First Fear his hand, its skill to try, Amid the chords...bewildered laid, And back recoil'd, he knew not why, Ev'n at the sound himself had made. Next Anger rush'd, his. eyes on fire, In light'nings own'd his... | |
 | John Pierpont - 1823 - 492 Seiten
...lessons of her forceful art, Each, for madness ruled the hour, Would prove his own expressive power. First, Fear, his hand, its skill to try, Amid the chords bewildered laid; And back recoiled, he knew not why, E'en at the sound himself had made. Next Anger rushed ; — his eyes on... | |
 | Isaac Disraeli - 1824 - 536 Seiten
...fearfully did wield.'' Faery Queen, B. iii. c. 12. s. 12. Warm from its perusal, he seems to have seized it as a hint to the Ode to Fear, and in his " Passions"...to try, Amid the chords bewildered laid, And back recoil 'd, he knew not why, E'en at the sound himself had made." Ode to the Passions. The stanza in... | |
 | Thomas Curtis - 1829 - 832 Seiten
...Blackmore. Our understanding traces them in vain, Lost and bewildered in the fruitless search. Additon. First Fear, his hand, its skill to try, Amid the chords bewildered laid, And back recoiled, he knew not why ; Even at the sound himself had made. Couini, BEWITCH', "| Be and witch.... | |
 | Thomas Curtis (of Grove house sch, Islington) - 414 Seiten
...Our understanding traces them in vaio, Lost and beivildered in the fruitless search. Adtluim. Firat Fear, his hand, its skill to try. Amid the chords bewildered laid. And back recoiled, he knew not why , Even at the sound himself had made. CoUiru, BEWITCH', BEWITCH'ER, BEWITCH'ERY,... | |
 | Thomas Ewing - 1832 - 428 Seiten
...lessons of her forceful art, Each (for madness ruled the hour) Would prove his own expressive power. First, Fear, his hand, its skill to try, Amid the chords bewildered laid : And back recoiled, he knew not why, Even at the sound himself had made. Next, Anger rushed, his eyes on fire... | |
 | Isaac Disraeli - 1834 - 394 Seiten
...fearfully did wield." Faery Queen, B. iii. c. 12. s. 12. Warm from its perusal, he seems to have seized it as a hint to the Ode to Fear, and in his " Passions"...to try, Amid the chords bewildered laid, And back recoitd, he knew not why, E'en at the sound himself had made." Ode to the Passions. The stanza in Beattie's... | |
 | John Epy Lovell - 1836 - 534 Seiten
...her forceful art, Each — (for madness ruled the hour — ) Would prove his own expressive power. First, Fear, his hand, its skill to try, Amid the chords bewildered laid ; And back recoiled, he knew not why, E'en at the sound himself had made. Next Anger rushed — his eyes, on fire,... | |
 | Henry Marlen - 1838 - 342 Seiten
...lessons of her forceful art, Each (for madness ruled the hour) Would prove his own expressive power. First, FEAR, his hand, its skill to try, Amid the chords bewildered laid : And back recoiled, he knew not why, Even at the sound himself had made. Next, ANGER rushed, his eyes on fire,... | |
 | Eben Norton Horsford - 1839 - 414 Seiten
...characters of those with whom he associated or encountered, so as rarely to be deceived. VII. CAUTIOUSNESS. First fear his hand, its skill to try, Amid the chords bewildered laid, And back recoiled, he knew not why, Even at the sound himself had made. — Collins. This is the propensity... | |
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