Avant Garde Theatre: 1892–1992Routledge, 02.09.2003 - 272 Seiten Examining the development of avant garde theatre from its inception in the 1890s right up to the present day, Christopher Innes exposes a central paradox of modern theatre; that the motivating force of theatrical experimentation is primitivism. What links the work of Strindberg, Artaud, Brook and Mnouchkine is an idealisation of the elemental and a desire to find ritual in archaic traditions. This widespread primitivism is the key to understanding both the political and aesthetic aspects of modern theatre and provides fresh insights into contemporary social trends. |
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... (Grotowski,1968) Posterdesign 19 'MinuetCry I' Pedro Caldéron, The Constant Prince (Grotowski, 1966) Agence Bernand 20 The birthritual'The Performance Group,Dionysus in69 (Schechner, 1969)MaxWaldman 21 Assaulting theaudience Bertolt ...
... Grotowski in the 1960s, even though Grotowskiknew nothing of the'theatre of cruelty' when he developed his concept of'poor theatre'. Atthe same time one cantrace all the network of crossfertilizationthat normally definesasingle artistic ...
... Grotowski, and Chaikin by the Becks, while Grotowski, Brook andChaikin have cooperated on jointprojects. Brook worked with CharlesMarowitz, whoseOpen Space theatre producedSamShepard's firstmajor play; and Shepard later collaborated ...
... Grotowski's theatre, leading toasearch forprimal relationships between man and the naturalworld.Sexual liberation andsocial revolution formed the coreof the LivingTheatre, revolving aroundauniversal ideal of communitythat was ...
... Grotowski, whose common factor is a physical, unnaturalistic theatrelanguage, spiritually revolutionaryand standingin opposition to... psychological realism, Aristoteliantime structure. 6 Leaving aside theincorrect assertionthat ...
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