Avant Garde Theatre: 1892–1992Routledge, 02.09.2003 - 272 Seiten Examining the development of avant garde theatre from its inception in the 1890s right up to the present day, Christopher Innes exposes a central paradox of modern theatre; that the motivating force of theatrical experimentation is primitivism. What links the work of Strindberg, Artaud, Brook and Mnouchkine is an idealisation of the elemental and a desire to find ritual in archaic traditions. This widespread primitivism is the key to understanding both the political and aesthetic aspects of modern theatre and provides fresh insights into contemporary social trends. |
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... Müller, Robert Wilson, Eugenio Barba, Ariane Mnouchkineand SamShepard have been added. As a result,thebook now dealswith allthemajor avant garde theatre practitioners, inEurope andNorthAmerica. Essential reading for anyone attempting to ...
... Müller, the CIVIL warS (ART,1985) Richard Feldman 24 Dream sequence Peter Shaffer,Equus (Dexter, 1973) Zoë Dominic 25 Mythological pageantry MurrayShafer, The Princessofthe Stars (Banff,1985) Ed Ellis A C K N O W L E D G.
... Müller, whose early work has links with Artaud as well asthe expressionists, joined forces with the neosurrealist Robert Wilson inthe1980s. These interconnections chart the mainlineavant gardemovement, althoughthereare many othernames ...
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