Avant Garde Theatre: 1892–1992Routledge, 02.09.2003 - 272 Seiten Examining the development of avant garde theatre from its inception in the 1890s right up to the present day, Christopher Innes exposes a central paradox of modern theatre; that the motivating force of theatrical experimentation is primitivism. What links the work of Strindberg, Artaud, Brook and Mnouchkine is an idealisation of the elemental and a desire to find ritual in archaic traditions. This widespread primitivism is the key to understanding both the political and aesthetic aspects of modern theatre and provides fresh insights into contemporary social trends. |
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... create a multitonalor'dialogic' modelthatis intrinsically revolutionary. 1 Derived fromthe Russian Formalist schoolof linguistics, Bakhtin's literary sociology parallels anarchism but gives it a Marxist gloss. AsexemplifiedintheRoman ...
... create a communion of (in theoryat least) equal participants. As Bakhtinputs it,'Carnivalwas... the feastof becoming,changeand renewal.It was hostileto all that was immortalized and completed'—both insociety and art—while a telling ...
... create an equivalent of traditionalNōh drama.Conversely, standard European models rangingfrom IbsentoBeckett have hadjust as much impactonthe development of modern Chinesedrama,orJapanese experimental theatre. Thevalue ...
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