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certainly he understood and explained in a more masterly manner than either Beni or Castelvetro: but in one or two instances he has indulged a love of subtilty and groundless refinement. That I may not be accused of affecting a kind of hatred against all the French critics, I would observe, that this learned writer merits the attention and diligent perusal of the true scholar. What I principally admire in Bossu, is the regularity of his plan, and the exactness of his method; which add utility as well as beauty to his work.

Brumoy has displayed the excellencies of the Greek Tragedy in a judicious and comprehensive

His translations are faithful and elegant; and the analysis of those plays, which, on account of some circumstances in ancient manners, would shock the readers of this age, and would not therefore bear an entire version, is perspicuous and full. Of all the French critics, he and the judicious Fenelon have had the justice to confess, or perhaps the penetration to perceive, in what instances Corneille and Racine have falsified and modernized the characters, and overloaded with unnecessary intrigues the simple plots of the ancients.

Let no one, however, deceive himself in thinking, that he can gain a competent knowledge either of Aristotle or Sophocles, from Bossu or Brumoy, how excellent soever these two commentators may be. To contemplate these exalted geniuses through such mediums, is like beholding the orb of the sun, during an eclipse, in a vessel of water. But let him eagerly press forward to the great originals: juvet integros accedere fontes ;' • his be the joy t approach th' untasted springs. Let him remember, that the Grecian writers alone, both critics and poets, are the best masters to teach, in Milton's emphatical style, What the laws are of a true epic poem, what of a dramatic, what of a lyric; what decorum is; which is the grand masterpiece to observe. This would make them soon perceive, what dospicable creatures our common rhymers and play-wrights be; and shew them what religious, what glorious and magnificent use might be made of poetry, both in divine and human things.'


No 50. SATURDAY, APRIL 28, 1753.

Quicunque turpi fraude semel innotuit,
Etiamsi verum dicit, amittit fidem.


The wretch that often has deceiv'd,
Though truth he speaks, is ne'er believ'd.

When Aristotle was once asked, what a man could gain by uttering falsehoods; he replied, Not to be credited when he shall tell the truth.'

The character of a liar is at once so hateful and contemptible, that even of those who have lost their virtue it might be expected, that from the violation of truth they should be restrained by their pride. Almost every other vice that disgraces human nature, may be kept in countenance by applause and association: the corrupter of virgin innocence sees himself envied by the men, and at least' not detested by the women: the drunkard may easily unite with beings, devoted like himself to noisy merriment or silent insensibility, who will celebrate his victories over the novices of intemperance, boast themselves the companions of his prowess, and tell with rapture of the multitudes whom unsuccessful emulation has hurried to the grave: even the robber and the cut-throat have their followers, who admire their address and intrepidity, their stratagems of rapine, and their fidelity to the gang,

The liar, and only the liar, is invariably and universally despised, abandoned, and disowned: he has no domestic consolations, which he can oppose to the censure of mankind; he can retire to no fraternity, where his crimes may stand in the place of virtues ; but is given up to the hisses of the multitude, with out friend and without apologist. It is the peculiar condition of falsehood, to be equally detested by the good and bad : · The devils,' says Sir Thomas Brown, do not tell lies to one another; for truth is necessary to all societies : nor can the society of hell subsist without it.'

It is natural to expect, that a crime thus generally detested should be generally avoided ; at least that none should expose himself to unabated and unpitied infamy, without an adequate temptation; and that to guilt so easily detected, and so severely punished, an adequate temptation would not readily be found.

Yet so it is, that in defiance of censure and contempt, truth is frequently violated; and scarcely the most vigilant and unremitted circumspection will secure him that mixes with mankind, from being hourly deceived by men of whom it can scarcely be imagined, that they mean any injury to him or profit to themselvess even where the subject of conversation could not have been expected to put the passions in motion, or to have excited either hope or fear, or zeal or malignity, suficient to induce any man to put his reputation in hazard, however little he might value it, or to overpower the love of truth, however weak might be its influence.

The casuists have very diligently distinguished lies into their several classes, according to their various degrees of malignity: but they have, I think, generally omitted that which is most common, and perhaps not least mischievous; which, since the moralists have not given it a name, I shall distinguish as the Lie of Vanity.

To vanity may justly be imputed most of the falsehoods, which every man perceives hourly playing upon his ear, and, perhaps, most of those that are propagated with success. To the lie of commerce, and the lie of malice, the motive is so apparent, that they are seldom negligently or implicitly received: suspicion is always watchful over the practices of interest; and whatever the hope of gain, or desire of mischief, can prompt one man to assert, another is by reasons equally cogent incited to refute. But vanity pleases herself with such light gratifications, and looks forward to pleasure so remotely consequential, that her practices raise no alarm, and her stratagems are not easily discovered.

Vanity is, indeed, often suffered to pass unpursued by suspicion : because he that would watch her motions can never be at rest: fraud and malice are bounded in their influence; some opportunity of time and place is necessary to their agency; but scarce any man is abstracted one moment from his vanity; and he, to whom truth affords no gratifications, is generally inclined to seek them in falsehoods.

It is remarked by Sir Kenelm Digby, that every man has a desire to appear superior to others, though it were only in having seen what they have not seen.' Such an accidental advantage, since it neither implies merit, nor confers dignity, one

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would think should not be desired so much, as to be counterfeited; yet even this vanity, trifling as it is, produces innumerable narratives, all equally false; but more or less credible in proportion to the skill or confidence of the relater. How many may a man of diffusive conversation count among his acquaintances, whose lives have been signalized by numberless escapes ;

who never cross the ver but in a storm, or take a journey into the country without more adventures than befel the knight-errants of ancient times in pathless forests or enchanted castles ! How many must he know, to whom portents and prodigies are of daily occurrence; and for whom nature is hourly working wonders invisible to every other eye, only to supply them with subjects of conversation !

Others there are that amuse themselves with the dissemination of falsehood, at greater hazard of detection and disgrace; men marked out by some lucky planet for universal confidence and friendship, who have been consulted in every difficulty, entrusted with every secret, and summoned to every transaction: it is the supreme felicity of these men, to stun all companies with noisy information ; to still doubt, and overbear opposition, with certain knowledge or authentic intelligence. A liar of this kind, with a strong memory or brisk imagination, is often the oracle of an obscure club, and, till time discovers his impostures, dictates to his hearers with uncontrouled authority: for if a public question be started, he was present at the debate; if a new fashion be mentioned, he was at court the first day of its appearance :

if new performance of literature draws the attention of the public, he has patronized the author, and seen his work in manuscript; if a criminal of eminence be condemned to die, he often predicted his fate, and endeavoured his reformation : and who that lives at a


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