And know how well I have deserv'd this ring, [Exeunt Portia and Nerissa. Bass. Go, Gratiano, run and overtake him, Give him the ring; and bring him, if thou can'st, Unto Antonio's house:-away, make haste. [Exit GRATIANO. Come, you and I will thither presently; And in the morning early will we both Fly toward Belmont: Come, Antonio. [Exeunt. Por. Inquire the Jew's house out, give him this deed, Enter GRATIANO. 3 Gra. Fair sir, you are well overtaken: That cannot be: pray you, tell him: Furthermore, And so, I upon more advice,] i. e. more rcilection, I pray you, show my youth old Shylock's house. Gra. That will I do. Sir, I would speak with you: swearing That they did give the rings away to men; But we'll outface them, and outswear them too. Away, make haste; thou know'st where I will tarry. Ner. Come, good sir, will you show me to this house? [Exeunt. ACT V. SCENE I. Belmont. Avenue to Portia's House. Enter LORENZO and JESSICA. Lor. The moon shines bright:-In such a night as this, In such a night, In such a night, In such a night, Medea gather'd the enchanted herbs In such a night, And in such a night, And in such a night, Jes. I would out-night you, did no body come: But, hark, I hear the footing of a man. Enter STEPHANO. Lor. Who comes so fast in silence of the night? your name, I pray you, friend? Steph. Stephano is my name; and I bring word, My mistress will before the break of day Be here at Belmont: she doth stray about By holy crosses, where she kneels and prays For happy wedlock hours. Lor. Who comes with her? Steph. None, but a holy hermit, and her maid. I pray you, is my master yet return'd? Lor. He is not, nor we have not heard from him. But go we in, I pray thee, Jessica, And ceremoniously let us prepare Some welcome for the mistress of the house. Enter LAUNCELOT. Laun. Sola, sola, wo ha, ho, sola, sola! Laun. Sola! did you see master Lorenzo, and mistress Lorenzo ? sola, sola! Lor. Leave hollaing, man; here. Laun. Tell him, there's a post come from my master, with his horn full of good news; my master will be here ere morning. [Exit. Lor. Sweet soul, let's in, and there expect their coming. [Exit STEPHANO. 4 - with patines of bright gold;] A patine, from patina, Lat. A patine is the small flat dish or plate used with the chalice, in the administration of the eucharist. In the time of probably in the following age, it was commonly made of gold. popery, and MALONE. 5 Such harmony is in immortal souls; &c.] This passage having been much misunderstood, it may be proper to add a short explanation of it. Such harmony, &c. is not an explanation arising from the forefloods; Since nought so stockish, hard, and full of rage, But musick for the time doth change his nature: The man that hath no musick in himself, Nor is not mov'd with concord of sweet sounds, Is fit for treasons, stratagems, and spoils; But, whilst this muddy vesture of decay Enter Musicians. Come, ho, and wake Diana with a hymn;o [Musick. going line—" So great is the harmony!" but an illustration: -" Of the same kind is the harmony.”—The whole runs thus: There is not one of the heavenly orbs but sings as it more's, still , quiring to the cherubin. Similar to the harmony they mak”, is that of immortal souls; or, (in other words,) each of us hire as perfect harmony in our souls as the harmony of the spheres, inasmuch as we hoe the quality of being moved by sweet sounds (as he expresses it afterwards;) but our gross terrestrial part, which environs us, deadens the sound, and prevents our hearing:-It, [Doth grossly close it in,] I apprehend, refers to harmony. MALONE. wake Diana with a hymn;] Diana is the moon, who is in the next scene represented as sleeping. |