The True and the Beautiful in Nature, Art, Morals, and Religion: Selected from the Works of John RuskinJ. Wiley, 1869 - 452 Seiten |
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Seite 3
... colors , and not from others , is no more to be asked or answered than why we like sugar and dislike wormwood . The utmost subtilty of investigation will only lead us to ultimate instincts and principles of human nature , for which no ...
... colors , and not from others , is no more to be asked or answered than why we like sugar and dislike wormwood . The utmost subtilty of investigation will only lead us to ultimate instincts and principles of human nature , for which no ...
Seite 7
... colors felt . But although everything in Nature is more or less beautiful , every species of object has its own . kind and degree of beauty ; some being in their own nature more beautiful than others , and few , if any individuals ...
... colors felt . But although everything in Nature is more or less beautiful , every species of object has its own . kind and degree of beauty ; some being in their own nature more beautiful than others , and few , if any individuals ...
Seite 9
... color , perfect in form , gladdening in expression , be not of evanescent and shallow appealing , when compared with the still small voice of the level twilight behind purple hills , or the scarlet arch of dawn over the dark , troublous ...
... color , perfect in form , gladdening in expression , be not of evanescent and shallow appealing , when compared with the still small voice of the level twilight behind purple hills , or the scarlet arch of dawn over the dark , troublous ...
Seite 10
... color ? Not so ; for their effect is oftentimes deeper when their hues are dim , than when they are blazoned with crimson and pale gold ; and assuredly in the blue of the rainy sky , in the many tints of morning flowers , in the ...
... color ? Not so ; for their effect is oftentimes deeper when their hues are dim , than when they are blazoned with crimson and pale gold ; and assuredly in the blue of the rainy sky , in the many tints of morning flowers , in the ...
Seite 15
... color , inconsistency or absence of thought , forced expression , evil choice of subject , over accumulation of ma- terials , whether in painting or literature ; the shallowness of the English schools of art , the strained and ...
... color , inconsistency or absence of thought , forced expression , evil choice of subject , over accumulation of ma- terials , whether in painting or literature ; the shallowness of the English schools of art , the strained and ...
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Häufige Begriffe und Wortgruppen
Æschylus Albert Durer appearance arch architecture artist beauty beneath blue boughs building character chiaroscuro Christ chrysoprase clouds color creature dark death deep degree delicate delight Divine earth evil expression false feeling foam give glacier glory God's Gothic Gothic architecture grace grass grey hand heart heaven hills human idea ideal imagination instance intellect invention JOHN RUSKIN kind landscape less light lines look lower marble marble church Masaccio mean mind Mino da Fiesole mountain nature ness never noble object observe painter painting passing passion pathetic fallacy Paul Veronese peculiar perfect Perugino Phidias picture pleasure poetry present pure purity purple reader rocks sculpture seen sense shadow snow spirit stone Stones of Venice strange strength sublime things thought tion Titian trees true truth utmost Venice waves whole wind word