The New Monthly Magazine and Literary Journal, Band 1H. Colburn, 1821 |
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Seite 9
... ; and when he gives their complicated situations a perspicuity that sup- ports our attention unfatigued - can we doubt that such a writer has exerted his own judgment in proportion to the trouble Lectures on Poetry . 9.
... ; and when he gives their complicated situations a perspicuity that sup- ports our attention unfatigued - can we doubt that such a writer has exerted his own judgment in proportion to the trouble Lectures on Poetry . 9.
Seite 11
... doubt , we expe- rience in a prose sentence that the use of a spondee or an anapæst may have made a particular clause more graceful ; but the mo- ment we detect the writer's assignation for the use of any parti- cular foot or rhythm ...
... doubt , we expe- rience in a prose sentence that the use of a spondee or an anapæst may have made a particular clause more graceful ; but the mo- ment we detect the writer's assignation for the use of any parti- cular foot or rhythm ...
Seite 12
... doubt , is intrinsically feeble . But be it ever so slight , it may affect the association ; for we must not judge mechanically of the influences that act on that subtle power . Slight impressions will often awaken all her activity ...
... doubt , is intrinsically feeble . But be it ever so slight , it may affect the association ; for we must not judge mechanically of the influences that act on that subtle power . Slight impressions will often awaken all her activity ...
Seite 13
... doubt or diffidence . At the same time , whilst we sympathize with the poet's torrent of feelings , we are sensible that our own powers of language could not throw them into the channel of musical expression , though it appears , when ...
... doubt or diffidence . At the same time , whilst we sympathize with the poet's torrent of feelings , we are sensible that our own powers of language could not throw them into the channel of musical expression , though it appears , when ...
Seite 14
... doubt , the stage is the mode of exhibiting nature , which requires the most reconciling art to soften her painful aspect , and prose fiction may be found more engaging in narrative than in tra- gedy . It is accordingly there , namely ...
... doubt , the stage is the mode of exhibiting nature , which requires the most reconciling art to soften her painful aspect , and prose fiction may be found more engaging in narrative than in tra- gedy . It is accordingly there , namely ...
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Andere Ausgaben - Alle anzeigen
Häufige Begriffe und Wortgruppen
admiration ancient appears Arabs Asturian beauty Caius Marius called celebrated character circumstances corn Corn Laws corregidor cultivation death delight doubt endeavoured England English equal eyes fancy father favour feeling flowers French genius give hand happy heart Hebrew honour hope hour human imagination increase Italy King labour lady Lady Hamilton land language laws letters living Lord Lord Byron Malthus means ment mind Mont Blanc moral Naples nation nature never night noble Numantia object observed occasion opinion passion person poet poetical poetry possess present prince principles produce profit racter rate of profit readers respect Roman scene Schiller Scott seems shew Socrates soon soul Spain spirit taste thee thing thou thought tion Troubadours truth Ugo Foscolo verse Viriatus Wangara whilst whole words writers young youth
Beliebte Passagen
Seite 581 - Morning Now the bright morning star, day's harbinger, Comes dancing from the east, and leads with her The flowery May, who from her green lap throws The yellow cowslip, and the pale primrose. Hail bounteous May that dost inspire Mirth and youth, and warm desire; Woods and groves are of thy dressing, Hill and dale doth boast thy blessing. Thus we salute thee with our early song, And welcome thee, and wish thee long.
Seite 83 - For who, to dumb forgetfulness a prey, This pleasing anxious being e'er resign'd, Left the warm precincts of the cheerful day, Nor cast one longing...
Seite 160 - T^EAR no more the heat o' the sun -*- Nor the furious winter's rages; Thou thy worldly task hast done, Home art gone, and ta'en thy wages : Golden lads and girls all must, As chimney-sweepers, come to dust. Fear no more the frown o...
Seite 16 - TRIUMPHAL arch, that fill'st the sky When storms prepare to part, I ask not proud Philosophy To teach me what thou art : Still seem, as to my childhood's sight, A midway station given For happy spirits to alight Betwixt the earth and heaven.
Seite 627 - But when lust, By unchaste looks, loose gestures, and foul talk, But most by lewd and lavish act of sin, Lets in defilement to the inward parts, The soul grows clotted by contagion, Imbodies, and imbrutes, till she quite lose The divine property of her first being.
Seite 627 - Lets in defilement to the inward parts, The soul grows clotted by contagion Imbodies, and imbrutes, till she quite lose The divine property of her first being. Such are those thick and gloomy shadows damp Oft seen in charnel vaults and sepulchres, Lingering and sitting by a new-made grave, As loth to leave the body that it loved, And linked itself by carnal sensualty To a degenerate and degraded state.
Seite 250 - Insuperable height of loftiest shade, Cedar, and pine, and fir, and branching palm, A sylvan scene; and as the ranks ascend Shade above shade, a woody theatre Of stateliest view.
Seite 518 - But rather to tell how, if art could tell, How from that sapphire fount the crisped brooks, Rolling on orient* pearl and sands of gold...
Seite 492 - ... or ever the silver cord be loosed, or the golden bowl be broken, or the pitcher be broken at the fountain, or the wheel broken at the cistern. Then shall the dust return to the earth as it was : and the spirit shall return unto GOD Who gave it.
Seite 387 - The Lord is my rock, and my fortress, and my deliverer; my God, my strength, in whom I will trust; my buckler, and the horn of my salvation, and my high tower.