The TempestHal Leonard Corporation, 1998 - 86 Seiten This joyous play, the last comedy of Shakespeare's career, sums up his stagecraft with a display of seemingly effortless skill. Prospero, exiled Duke of Milan, living on an enchanted island, has the opportunity to punish and forgive his enemies when he raises a tempest that drives them ashore--as well as to forestall a rebellion, to arrange the meeting of his daughter, Miranda, with an eminently suitable young prince, and, more important, to relinquish his magic powers in recognition of his advancing age. Richly filled with music and magic, romance and comedy, the play's theme of love and reconciliation offers a splendid feast for the senses and the heart. |
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... letter of a relatively unimportant word is omitted , and an accent placed over the preceding vowel as a marker , e.g. ' thä ' for ' than ' . For all such abbreviations these scripts will set F1 and footnote ac- cordingly . THE SPECIAL ...
... letter of a relatively unimportant word is omitted , and an accent placed over the preceding vowel as a marker , e.g. ' thä ' for ' than ' . For all such abbreviations these scripts will set F1 and footnote ac- cordingly . THE SPECIAL ...
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... letter or letters SM LS NO OM P PCT Q SD SP alterations in line structure Shakespeare's use of the scansion of magic ( trochaic and seven sylla- bles ) a name modern texts have changed or corrected for easier recognition F1 words or ...
... letter or letters SM LS NO OM P PCT Q SD SP alterations in line structure Shakespeare's use of the scansion of magic ( trochaic and seven sylla- bles ) a name modern texts have changed or corrected for easier recognition F1 words or ...
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... letter or letters alterations in line structure Shakespeare's use of the scansion of magic ( trochaic and seven sylla- bles ) alterations to F1's punctuation by modern and / or contemporary texts matters concerning songs , poems , or ...
... letter or letters alterations in line structure Shakespeare's use of the scansion of magic ( trochaic and seven sylla- bles ) alterations to F1's punctuation by modern and / or contemporary texts matters concerning songs , poems , or ...
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... letter , ' A ' through ' E ' . ' E ' was known to be a seventeen - year - old apprentice whose occasional mishaps both in copying text and securing the type to the frame have led to more than a few dreadful lapses , notably in Romeo and ...
... letter , ' A ' through ' E ' . ' E ' was known to be a seventeen - year - old apprentice whose occasional mishaps both in copying text and securing the type to the frame have led to more than a few dreadful lapses , notably in Romeo and ...
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... letters not al- ways set at the start of a verse line ( p . 8 , II . 1.2.111 and 1.2.136 ) . But after these seven columns , these teething quirks are rarely seen , either in the play or anywhere else in the Folio . Being the first text ...
... letters not al- ways set at the start of a verse line ( p . 8 , II . 1.2.111 and 1.2.136 ) . But after these seven columns , these teething quirks are rarely seen , either in the play or anywhere else in the Folio . Being the first text ...
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action actors againe allow Alonso altered Anthonio appearance Ariel begins bring brother Caliban changes character choice compositor copy correct created Elizabethan ENTER entry especially example Exit eyes Father Ferdinand Ff set Folio follow footnote give Gonzalo hand hath heare heere indicate Island King letter looke Lord magic major mark Master meaning Millaine Miranda modern texts set Monster Naples needs occasionally offer once original passage pause period play possible prepared present printed problem prose Prospero punctuation Quarto reader reading referred rhetoric scene script Sebastian seen selfe sentence separate Shakespeare short lines single sometimes speaking speech Spirit split lines stage directions Stephano strange structure suggesting syllables tell Tempest Theatre theatrical thee thing thou thought Trinculo usually verse