The Stereoscope: Its History, Theory, and ConstructionJohn Murray, 1856 - 247 Seiten |
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Seite 140
... nature of single portraits , we may form some notion of the effect produced by combining dissimilar ones in the stereoscope , so as to represent the original in relief . The single pictures themselves , including binocular and ...
... nature of single portraits , we may form some notion of the effect produced by combining dissimilar ones in the stereoscope , so as to represent the original in relief . The single pictures themselves , including binocular and ...
Seite 141
... nature of the building or the statue which of these pictures gives us the most favourable representation of it . If we now suppose the building or statue to be reduced in the most perfect manner , —to half its size CHAP . VIII . METHOD ...
... nature of the building or the statue which of these pictures gives us the most favourable representation of it . If we now suppose the building or statue to be reduced in the most perfect manner , —to half its size CHAP . VIII . METHOD ...
Seite 142
... nature of the building or the statue whether the reduced or the original copy gives the best picture . If we repeat the preceding experiments with two eyes in place of one , the building or statue will have a different appearance ...
... nature of the building or the statue whether the reduced or the original copy gives the best picture . If we repeat the preceding experiments with two eyes in place of one , the building or statue will have a different appearance ...
Seite 147
... nature des œuvres humaines d'être essen- tiellement bornées . " 1 This criticism on the limitation of the camera is wholly incorrect ; and it will be made apparent , in a future part of the Chapter , that for objects of all sizes and at ...
... nature des œuvres humaines d'être essen- tiellement bornées . " 1 This criticism on the limitation of the camera is wholly incorrect ; and it will be made apparent , in a future part of the Chapter , that for objects of all sizes and at ...
Seite 148
... nature . When the artist has not a binocular camera he must place his single camera successively in such positions that the axis of his lens may have the directions EL , EL ' making an angle equal to LCL ' , the angle which the distance ...
... nature . When the artist has not a binocular camera he must place his single camera successively in such positions that the axis of his lens may have the directions EL , EL ' making an angle equal to LCL ' , the angle which the distance ...
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The Stereoscope: Its History, Theory and Construction Sir David Brewster, Sir Keine Leseprobe verfügbar - 2015 |
The Stereoscope: Its History, Theory, and Construction, with Its Application David Brewster Keine Leseprobe verfügbar - 2019 |
Häufige Begriffe und Wortgruppen
achromatic Aguilonius angle apparent magnitude appear artist beautiful binocular camera binocular centre binocular pictures binocular slides binocular vision Castle chapter colour combined concave concave lens converging the optic convex Daguerreotype diagram different distances dissimilar pictures distinct vision drawing effect exhibit experiment Façade Fcap figures focal length Fribourg Front view frustum Genoa glass History hollow cone illusion instrument inverted LADY landscape left eye lens lenses lenticular stereoscope light look LORD Meiringen monocular nearer object observer obtained optic axes Padua Palace Panorama paper Perspective photograph plane pictures Plates point of sight Pompeii Portrait Post 8vo prism produced pyramid raised cone rays reflecting stereoscope reflexion refracted relief representations retina right eye Rome Rosenlaui Rouen sculpture Second Edition seen shew shewn in Fig side single sitter solid statue stereo stereoscopic vision summit suppose surface taken tance telescope Third Edition united image Venice Vols Wheatstone Woodcuts
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