The True and the Beautiful in Nature, Art, Morals, and Religion: Selected from the Works of John RuskinJ. Wiley, 1869 - 452 Seiten |
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Seite 17
... possible or improper , a balance must be at least in some mea- sure expressed before they can be beheld with pleasure . Hence the necessity of what artists require as opposing lines or masses in composition , the propriety of which , as ...
... possible or improper , a balance must be at least in some mea- sure expressed before they can be beheld with pleasure . Hence the necessity of what artists require as opposing lines or masses in composition , the propriety of which , as ...
Seite 19
... possible sense of beauty ( of color ) is conveyed by a feebly translucent , smooth , but not lustrous surface of white , and pale warm red , subdued by the most pure and delicate greys , as in the finer portions of the human frame ; in ...
... possible sense of beauty ( of color ) is conveyed by a feebly translucent , smooth , but not lustrous surface of white , and pale warm red , subdued by the most pure and delicate greys , as in the finer portions of the human frame ; in ...
Seite 22
... possible that a certain degree of beauty may be attained even in the absence of one of its other constituents , as sometimes in some measure without symmetry or without unity . But the least appearance of violence or extravagance , of ...
... possible that a certain degree of beauty may be attained even in the absence of one of its other constituents , as sometimes in some measure without symmetry or without unity . But the least appearance of violence or extravagance , of ...
Seite 29
... possible that selfish- ness should reason rightly in any respect , but must be blind in its estimation of the worthiness of all things , neither anger , for that overpowers the reason or outcries it , neither sensu- ality , for that ...
... possible that selfish- ness should reason rightly in any respect , but must be blind in its estimation of the worthiness of all things , neither anger , for that overpowers the reason or outcries it , neither sensu- ality , for that ...
Seite 32
... possible that while the mind is rightly bent on him , there should be dread of anything either earthly or supernatural , and the more dreadful seems the height of his majesty , the less fear they feel that dwell in the shadow of it ...
... possible that while the mind is rightly bent on him , there should be dread of anything either earthly or supernatural , and the more dreadful seems the height of his majesty , the less fear they feel that dwell in the shadow of it ...
Andere Ausgaben - Alle anzeigen
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The True and the Beautiful in Nature, Art, Morals, and Religion John Ruskin,Louisa Caroline Tuthill Keine Leseprobe verfügbar - 2015 |
Häufige Begriffe und Wortgruppen
Æschylus Albert Durer appearance arch architecture artist beauty beneath blue boughs building character chiaroscuro Christ chrysoprase clouds color creature dark death deep degree delicate delight Divine earth evil expression false feeling foam give glacier glory God's Gothic Gothic architecture grace grass grey hand heart heaven hills human idea ideal imagination instance intellect invention JOHN RUSKIN kind landscape less light lines look lower marble marble church Masaccio mean mind Mino da Fiesole mountain nature ness never noble object observe painter painting passing passion pathetic fallacy Paul Veronese peculiar perfect Perugino Phidias picture pleasure poetry present pure purity purple reader rocks sculpture seen sense shadow snow spirit stone Stones of Venice strange strength sublime things thought tion Titian trees true truth utmost Venice waves whole wind word