The True and the Beautiful in Nature, Art, Morals, and Religion: Selected from the Works of John RuskinJ. Wiley, 1869 - 452 Seiten |
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Seite 9
... present life , more manifest , invariably , in those of more serious and determined mind ( I use the word serious , not as being opposed to cheerful , but to trivial and volatile ) ; but , I think , marked and unfailing even in those of ...
... present life , more manifest , invariably , in those of more serious and determined mind ( I use the word serious , not as being opposed to cheerful , but to trivial and volatile ) ; but , I think , marked and unfailing even in those of ...
Seite 30
... present operation of the Adamite curse . As it is impossible that any essence short of the Divine , should at the same instant be equally receptive of all emotions , those emotions which , by right and order , have the most usual ...
... present operation of the Adamite curse . As it is impossible that any essence short of the Divine , should at the same instant be equally receptive of all emotions , those emotions which , by right and order , have the most usual ...
Seite 69
... present , of any importance for us to consider . By what furnaces of fire the adamant was melted , and by what wheels of earthquake it was torn , and by what teeth of glacier and weight of sea - waves it was engraven and finished into ...
... present , of any importance for us to consider . By what furnaces of fire the adamant was melted , and by what wheels of earthquake it was torn , and by what teeth of glacier and weight of sea - waves it was engraven and finished into ...
Seite 80
... present themselves to the eye . So that it is , in reality , better for mankind that the forms of their com- mon landscape should offer no violent stimulus to the emotions , -that the gentle upland , browned by the bending furrows of ...
... present themselves to the eye . So that it is , in reality , better for mankind that the forms of their com- mon landscape should offer no violent stimulus to the emotions , -that the gentle upland , browned by the bending furrows of ...
Seite 81
... present possession , and so subtle is the charm which the ima- gination casts over what is distant or denied , that there is often a more touching power in the scenes which contain far- away promise of something greater than themselves ...
... present possession , and so subtle is the charm which the ima- gination casts over what is distant or denied , that there is often a more touching power in the scenes which contain far- away promise of something greater than themselves ...
Andere Ausgaben - Alle anzeigen
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The True and the Beautiful in Nature, Art, Morals, and Religion John Ruskin,Louisa Caroline Tuthill Keine Leseprobe verfügbar - 2015 |
Häufige Begriffe und Wortgruppen
Æschylus Albert Durer appearance arch architecture artist beauty beneath blue boughs building character chiaroscuro Christ chrysoprase clouds color creature dark death deep degree delicate delight Divine earth evil expression false feeling foam give glacier glory God's Gothic Gothic architecture grace grass grey hand heart heaven hills human idea ideal imagination instance intellect invention JOHN RUSKIN kind landscape less light lines look lower marble marble church Masaccio mean mind Mino da Fiesole mountain nature ness never noble object observe painter painting passing passion pathetic fallacy Paul Veronese peculiar perfect Perugino Phidias picture pleasure poetry present pure purity purple reader rocks sculpture seen sense shadow snow spirit stone Stones of Venice strange strength sublime things thought tion Titian trees true truth utmost Venice waves whole wind word