The True and the Beautiful in Nature, Art, Morals, and Religion: Selected from the Works of John RuskinJ. Wiley, 1869 - 452 Seiten |
Im Buch
Ergebnisse 1-5 von 54
Seite vi
... received , Many of our ideas of the Sky altogether conventional , The idea of God's immediate presence impressed upon us by the · PAGE 333 42 42 43 44 Sky , CLOUDS . Variation of their character at different elevations , Extent of the ...
... received , Many of our ideas of the Sky altogether conventional , The idea of God's immediate presence impressed upon us by the · PAGE 333 42 42 43 44 Sky , CLOUDS . Variation of their character at different elevations , Extent of the ...
Seite xvii
... receiving , unsupported , the broadsides of half the enemy's fleet , while unforeseen circumstances have hitherto prevented , and must yet for a time prevent , my heavier ships of the line from taking any part in the action . I watched ...
... receiving , unsupported , the broadsides of half the enemy's fleet , while unforeseen circumstances have hitherto prevented , and must yet for a time prevent , my heavier ships of the line from taking any part in the action . I watched ...
Seite xviii
... receive his critiques from Eton or Harrow , -based on the experience of a week's bird's - nesting and its consequences ? How low must Art and its interests sink , when the public mind is inadequate to the detection of this effrontery of ...
... receive his critiques from Eton or Harrow , -based on the experience of a week's bird's - nesting and its consequences ? How low must Art and its interests sink , when the public mind is inadequate to the detection of this effrontery of ...
Seite 3
... receive pleasure from some forms and colors , and not from others , is no more to be asked or answered than why we like sugar and dislike wormwood . The utmost subtilty of investigation will only lead us to ultimate instincts and ...
... receive pleasure from some forms and colors , and not from others , is no more to be asked or answered than why we like sugar and dislike wormwood . The utmost subtilty of investigation will only lead us to ultimate instincts and ...
Seite 4
... receiving the greatest possible pleasure from those material sources which are attractive to our moral nature in its purity and perfection . He who receives little pleasure from these sources , wants taste ; he who receives pleasure ...
... receiving the greatest possible pleasure from those material sources which are attractive to our moral nature in its purity and perfection . He who receives little pleasure from these sources , wants taste ; he who receives pleasure ...
Andere Ausgaben - Alle anzeigen
The True and the Beautiful in Nature, Art, Morals and Religion John Ruskin Keine Leseprobe verfügbar - 2014 |
The True and the Beautiful in Nature, Art, Morals, and Religion John Ruskin Keine Leseprobe verfügbar - 2019 |
The True and the Beautiful in Nature, Art, Morals, and Religion John Ruskin,Louisa Caroline Tuthill Keine Leseprobe verfügbar - 2015 |
Häufige Begriffe und Wortgruppen
Æschylus Albert Durer appearance arch architecture artist beauty beneath blue boughs building character chiaroscuro Christ chrysoprase clouds color creature dark death deep degree delicate delight Divine earth evil expression false feeling foam give glacier glory God's Gothic Gothic architecture grace grass grey hand heart heaven hills human idea ideal imagination instance intellect invention JOHN RUSKIN kind landscape less light lines look lower marble marble church Masaccio mean mind Mino da Fiesole mountain nature ness never noble object observe painter painting passing passion pathetic fallacy Paul Veronese peculiar perfect Perugino Phidias picture pleasure poetry present pure purity purple reader rocks sculpture seen sense shadow snow spirit stone Stones of Venice strange strength sublime things thought tion Titian trees true truth utmost Venice waves whole wind word