 | Samuel Johnson - 1823 - 582 Seiten
...on the .different practice of the Italian and Dutch painters, 1 observed, that " the Italian painter attends only to the invariable, the great and general...which are fixed and inherent in universal nature." I was led into the subject of this letter by endeavouring to fix the original cause of this conduct... | |
 | Lionel Thomas Berguer - 1823 - 690 Seiten
...on the different practice of the Italian and Dutch painters, I observed, that " the Italian painter attends only to the invariable, the great and general...which are fixed and inherent in universal nature." ' I was led into the subject of this letter by endeavouring to fix the original cause of this conduct... | |
 | Sir Joshua Reynolds - 1824 - 324 Seiten
...narration, and adopting every ornament that will warm the imagination. To desire to see the excellencies of each style, united to mingle the Dutch with the...efficacy of each other. The Italian attends only to the iavariable, the great and general ideas which are fixed and inherent in universal nature ; the Dutch,... | |
 | Samuel Johnson - 1825 - 702 Seiten
...on the different practice of the Italian and Dutch painters, I observed, that " the Italian painter attends only to the invariable, the great and general...which are fixed and inherent in universal nature." I was led into the subject of this letter by endeavouring to fix the original cause of this conduct... | |
 | Samuel Johnson - 1825 - 482 Seiten
...on the different practice of the Italian and Dutch painters, I observed, that " the Italian painter attends only to the invariable, the great and general...which are fixed and inherent in universal nature." I was led into the subject of this letter by endeavouring to fix the original cause of this conduct... | |
 | Sir Joshua Reynolds - 1835 - 514 Seiten
...narration, and adopting every ornament that will warm the imagination. To desire to see the excellencies of each style united, to mingle the Dutch with the...efficacy of each other. The Italian attends only to the in^ variable, the great and general ideas which are fixed and inherent in universal Nature ; the Dutch,... | |
 | sir Joshua Reynolds - 1835 - 536 Seiten
...on the different practice of the Italian and Dutch Painters, I observed that " the Italian Painter attends only to the invariable, the great, and general...which are fixed and inherent in universal nature." I was led into the subject of this letter by endeavouring to fix the original cause of this conduct... | |
 | Sir Joshua Reynolds - 1846 - 506 Seiten
...on the different practice of the Italian and Dutch Painters, I observed that " the Italian Painter attends only to the invariable, the great, and general...which are fixed and inherent in universal nature." I was led into the subject of this letter by endeavouring to fix the original cause of this conduct... | |
 | John Ruskin - 1856 - 450 Seiten
...narrative, and adopting every ornament that will warm the imagination.1) To desire to see the excellencies of each style united — to mingle the Dutch with...together, and which destroy the efficacy of each other." 5. We find, first, from this interesting passage, that the writer considers the Dutch and Italian masters... | |
 | John Ruskin - 1856 - 452 Seiten
...narrative, and adopting every ornament that will warm the imagination.1) To desire to see the excellencies of each style united — to mingle the Dutch with...together, and which destroy the efficacy of each other." 5. We find, first, from this interesting passage, that the writer considers the Dutch and Italian masters... | |
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I was led into the subject of this letter by endeavouring to fix the original cause of this conduct of the Italian masters. If it can be proved that by this choice they selected the most beautiful part of the creation, it will... 
