| John Ruskin - 1872 - 418 Seiten
...highest degree sublime or extremely ridiculous. Such faults may be said to be the ebullitions of genins ; but at least he had this merit, that he never was...works may excite, they will always escape contempt. " \Vhat I have had under consideration is the sublimest style, particularly that of Michael Angelo,... | |
| Sir Joshua Reynolds - 1887 - 332 Seiten
...the highest degree sublime or extremely ridiculous. Such faults may be said to be the ebullition of genius ; but at least he had this merit, that he never...consideration is the sublimest style, particularly that of Michel Angelo, the Homer of Painting. Other kinds may admit of this naturalness, which of the lowest... | |
| Sir Joshua Reynolds - 1887 - 330 Seiten
...the highest degree sublime or extremely ridiculous. Such faults may be said to be the ebullition of genius; but at least he had this merit, that he never...contempt. What I have had under consideration is the suUimest style, particularly that of Michel Angelo, the Homer of Painting. Other kinds may admit of... | |
| John Ruskin - 1894 - 424 Seiten
...highest degree sublime or extremely ridiculous. Such faults may be said to be the ebullitions of genins ; but at least he had this merit, that he never was insipid, and whatever passion his work* may excite, they will always escape contempt. "What I have had under consideration is the sublimest... | |
| John Henry Fowler - 1908 - 156 Seiten
...the highest degree sublime, or extremely ridiculous. Such faults may be said to be the ebullitions of genius ; but at least he had this merit, that he never was insipid ; and whatever passion his works 30 may excite, they will always escape contempt. What I have had under consideration is the sublimest... | |
| John Ruskin - 1918 - 456 Seiten
...the highest degree sublime or extremely ridiculous. Such faults may be said to be the ebullitions of genius; but at least he had this merit, that he never...consideration is the sublimest style, particularly that of Michae.1 Angelo, the Homer of painting. Other kinds may admit of this naturalness, which of the lowest... | |
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