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" But I— that am not shap'd for sportive tricks, Nor made to court an amorous looking-glass— I— that am rudely stamp'd, and want love's majesty To strut before a wanton ambling nymph... "
The Plays of William Shakespeare: With the Corrections and Illustrations of ... - Seite 11
von William Shakespeare - 1808
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Works, Band 2

Thomas Gray - 1835
...shaped for sportive tricks, Nor made to court an amorous looking-glass : I, that am rudely stampt, and want love's majesty To strut before a wanton ambling...fair proportion, Cheated of feature by dissembling nature, Deform'd, unfinish'd, sent before my time Into this breathing world, scarce half made up —...
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SHAKESPEARE

BIBLIOTHEQUE ANGLO-FRANCAISE - 1836
...now,—instead of mounting barbed steeds, To fright the souls of fearful adversaries,— He capers nimbly in a lady's chamber, To the lascivious pleasing...fair proportion, Cheated of feature by dissembling nature, Deform'd, unflnish'd, sent before my time Into this breathing world, scarce half made up, And...
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Select plays from Shakspeare; adapted for the use of schools and young ...

William Shakespeare - 1836
...now, — instead of mounting barbed steeds, To fright the souls of fearful adversaries, — He capers nimbly in a lady's chamber, To the lascivious pleasing...that am curtail'd of this fair proportion, Cheated of feature1 by dissembling2 nature, Deform'd, unfinish'd, sent before my time Into this breathing world,...
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Laocoon; Or The Limits of Poetry and Painting

Gotthold Ephraim Lessing - 1836 - 373 Seiten
...shap'd for sportive tricks, Nor made to court an am'rous looking-glass ; I, that am rudely stampt, and want love's majesty To strut before a wanton,...fair proportion, Cheated of feature by dissembling nature, Deform'd, unflnish'd, sent before my time Into this breathing world, scarce half made up, And...
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Richard III. Henry VIII. Troilus and Cressida. Timon of Athens. Coriolanus

William Shakespeare - 1836
...now, — instead of mounting barbed3 steeds, To fright the souls of fearful adversaries, — He capers nimbly in a lady's chamber, To the lascivious pleasing of a lute. But I, — that am not shaped for sportive tricks, Nor made to court an amorous looking-glass ; I, that am rudely stamped,...
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The Dramatic Works of William Shakspeare, Band 2

William Shakespeare - 1838
...adversaries, — He capers nimbly in a lady's chamber, To the lascivious pleasing of a lute. But I,— Uiat am not shap'd for sportive tricks, Nor made to court an amorous looking-glass ; I, that am rudely slamp'd, and want love's majesty, To strut before it wanton ambling nymph ; I, that am curtail'd of...
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A dictionary of printers and printing

Charles Henry Timperley - 1839 - 996 Seiten
...shap'd for sportive tricks, Nor made to court an am'rous looking: glass, I, that am rudely stampt, and want love's majesty, To strut before a wanton,...fair proportion. Cheated of feature by dissembling nature, Deform'd, unfinish'd, sent before my time Into this breathing world, scarce half made up, And...
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The Dramatic Works of William Shakspeare: Henry IV, pt. 2. Henry V. Henry VI ...

William Shakespeare - 1839
...now, — instead of mounting barbed3 steeds, To fright the souls of fearful adversaries, — He capers nimbly in a lady's chamber, To the lascivious pleasing of a lute. But I, — that am not shaped for sportive tricks, Nor made to court an amorous looking-glass ; I, that am rudely stamped,...
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An Audition Handbook of Great Speeches

Jerry Blunt - 1990 - 207 Seiten
...front; And now, instead of mounting barbed steeds, To fright the souls of fearful adversaries, He capers nimbly in a lady's chamber To the lascivious pleasing...for sportive tricks, Nor made to court an amorous looking glass; I, that am rudely stamp'd, and want love's majesty To strut before a wanton ambling...
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Shakespeare's Dramatic Transactions

Michael Mooney - 1990 - 226 Seiten
...world of the play. In contrast to this distinctive rhetoric the next group of lines (beginning with "But I, that am not shap'd for sportive tricks / Nor made to court an amorous looking-glass" [14-27]) serves to identify Richard as a character in the play; here enjambed, imbalanced, caesura-punctuated,...
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