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" O fellow, come, the song we had last night: Mark it, Cesario; it is old and plain: The spinsters and the knitters in the sun, And the free maids that weave their thread with bones, Do use to chant it ; it is silly sooth, And dallies with the innocence... "
The Comedies, Histories, Tragedies, and Poems of William Shakspere - Seite 284
von William Shakespeare - 1851
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Four Comedies

William Shakespeare - 1994 - 692 Seiten
...Alas, that they are so, 40 To die, even when they to perfection grow. Enfer Curio and Feste ORSINO O, fellow, come, the song we had last night. Mark it,...dallies with the innocence of love Like the old age. 29 still al ways 37 bold tht bent remain at full stretch (a 30 »ears she she adapts herself metaphor...
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Shakespeare Made Easy - Twelfth Night

William Shakespeare - 2014 - 260 Seiten
...Feste] Duke O, fellow! come, the song we had last night. Mark it, Cesarie; it is old and plain; 45 The spinsters and the knitters in the sun, And the...dallies with the innocence of love, Like the old age. 50 Feste Are you ready, sir? Duke Ay; prithee sing. Feste [Singing] Come away, come away, death, A...
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Shakespeare: la invención de lo humano

Harold Bloom - 2001 - 750 Seiten
...Make no compare / Between that love a woman can bear me / An that I owe Olivia. [H.iv.94-104] 3. O, fellow, come, the song we had last night. / Mark it,...dallies with the innocence of love, / Like the old age. [II. ¡v.42-48] 4. For boy, however we do praise ourselves, / Our fui icios are more giddy and unfírn1,...
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Twelfth Night

Jennifer Mulherin - 2001 - 36 Seiten
...passion much. More than light airs and recollected terms Of these most brisk and giddy-paced times . . . Mark it, Cesario, it is old and plain; The spinsters...silly sooth, And dallies with the innocence of love, 1 '.ike the old age . Act ii Sciv Orsino is surprised when Viola talks herself with such feeling about...
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Fortune's Wheel: Dickens and the Iconography of Women's Time

Elizabeth A. Campbell - 2003 - 279 Seiten
...control. FALL 1854-1859 Minding île Wheel O, fellow, come, the song we had last night. Mark it, Cesarlo; it is old and plain. The spinsters and the knitters...dallies with the innocence of love, Like the old age. -SHAKESPEARE, Twelfth Night I am moved by fancies that are curled Around these images, and cling: The...
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Shakespeare's Songbook, Band 1

Ross W. Duffin - 2004 - 536 Seiten
...Book i. For a discussion of the tune, see Ward (1983), 57-58. Qome aAway, Qome oAway* DUKE ORSINO: O fellow come, the song we had last night: Mark it Cesario,...dallies with the innocence of love, Like the old age. FESTE: Are you ready Sir? DUKE ORSINO: I prithee sing. Music. The Song. Come away, come away death,...
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The Great Comedies and Tragedies

William Shakespeare - 2005 - 900 Seiten
...alas, that they are so; To die, even when they to perfection grow! 40 CURIO re-enters with CLOWN DUKE O fellow, come, the song we had last night. Mark it,...dallies with the innocence of love, Like the old age. CLOWN Are you ready, sir? DUKE Ay, prithee, sing. [music CLOWN [siHijs] Come away, come away death,...
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Shakespearian Comedy

H. B. Charlton - 2005 - 320 Seiten
...had found music as much an habitual part of his occupation as was eating or drinking or working. O, fellow, come, the song we had last night. Mark it,...their thread with bones Do use to chant it. It is not only that song and music irradiate these plays — the very clown of one of them has almost lost...
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Shakespeare's Comedy of Love

Alexander Leggatt - 2005 - 296 Seiten
...of cheating time, of holding human experience in permanent form. Orsino says of 'Come away death', Mark it, Cesario ; it is old and plain ; The spinsters...their thread with bones, Do use to chant it. ... (it. iv. 42-5) It has survived through time; it can entertain the simplest folk of the working-day world...
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Poor Women in Shakespeare

Fiona McNeill - 2007 - 20 Seiten
...of the social scale. Longing for Olivia, the lovesick Orsino requests a song to reflect his mood: O, fellow, come, the song we had last night. Mark it,...weave their thread with bones Do use to chant it. (2.4.42-46) This obscure moment in a familiar play offers a compelling account of much larger cultural...
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