| Peter Raby - 1988 - 180 Seiten
...sculptors: examine once more those ugly goblins, and formless monsters, and stern statues, anatomiless and rigid; but do not mock at them, for they are signs...first aim of all Europe at this day to regain for her children.19 Ruskin's thought, and his vision of art, is part of an essentially religious context, and... | |
| Henri Dorra - 1994 - 420 Seiten
...with what he believed was the period's high regard for the individual artisan, who had, he claimed, "a freedom of thought, and rank in scale of being,...all Europe at this day to regain for her children." 2 So intent was Ruskin on protecting the freedom and dignity of contemporary artisans from demands... | |
| Tim Barringer, T. J. Barringer - 1999 - 182 Seiten
...those ugly goblins, and formless monsters, and stern statues, anatomiless and rigid: but do not mock them, for they are signs of the life and liberty of every workman who struck the stone. Gothic art and architecture are revealed as the symbol of a precapitalist social structure and of creative... | |
| Regenia Gagnier - 2000 - 268 Seiten
...sculptors: examine once more those ugly goblins, and formless monsters, and stern statues, anatomiless and rigid; but do not mock at them, for they are signs...and liberty of every workman who struck the stone. The object has value because of the labor mixed in it. A purely economic labor theory of value, as... | |
| Donald Burton Kuspit, Jimmy Ernst - 2000 - 184 Seiten
...A/leaVc/1 Examine once more those ugly goblins, and formless monsters, and stern statues, anatomyless and rigid; but do not mock at them for they are signs...and liberty of every workman who struck the stone. —John Ruskin, "The Nature of the Gothic"2 That aspect of trauma that is never resolved or resolvable,... | |
| Laura M. Giusti - 2002 - 196 Seiten
...those ugly globlins, and formless monsters, and steme statues, anatomiless and rigid; bui do not mock them for they are signs of the life and liberty of...workman who struck the stone; a freedom of thought ... )) Nella società moderna, gli uomini non riescono più a esprimersi in modo completo perché sono... | |
| William Morris - 2002 - 368 Seiten
...sculptors: examine once more those ugly goblins, and formless monsters, and stern statues, anatomiless and rigid, but do not mock at them, for they are signs...all Europe at this day to regain for her children. Let me not be thought to speak wildly or extravagantly. It is verily this degradation of the operative... | |
| William Evan Fredeman - 2003 - 322 Seiten
...are signs of slavery in our England.' The crudely carved stones of the Gothic cathedral, in contrast, 'are signs of the life and liberty of every workman...all Europe at this day to regain for her children' ( Works, X:192). In poems written long before his political lectures, Morris similarly addressed his... | |
| Caroline Levine - 2003 - 264 Seiten
...warns us not to mock the "ugly goblins and formless monsters, and stern statues" on Gothic cathedrals, "for they are signs of the life and liberty of every workman who struck the stone" (Works 10: 193-94). Ugliness, formlessness, and sternness: these are rough, eccentric qualities, if... | |
| Thomas Baldwin - 2003 - 986 Seiten
...those ugl goblins, and formless monsters, and stern statues, anatomiless and rigid: but d not mock them, for they are signs of the life and liberty of every workman wh struck the stone' (Ruskin 1995: 197). This line of thought led Ruskin to a full-barrelled advocacy... | |
| |