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" The person who would treat such a subject must increase the ideal, and diminish the actual horror of the events, so that the pleasure which arises from the poetry which exists in these tempestuous sufferings and crimes may mitigate the pain of the contemplation... "
The British review and London critical journal - Seite 382
1821
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Note Books of Percy Bysshe Shelley: From the Originals in the ..., Teil 2

Percy Bysshe Shelley - 1911 - 228 Seiten
...events so that the pleasure arising from the poetry which exists in these tempestuous sufferings & crimes, may mitigate the pain of the contemplation of the moral deformity from which they spring. There must also be (39) nothing attempted to make the exhibition subservient to what (40) is vulgarly...
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A History of English Poetry, Band 6

William John Courthope - 1913 - 506 Seiten
...preface to the tragedy : The story of the Cenci is indeed eminently fearful and monstrous : anything like a dry exhibition of it on the stage would be...contemplation of the moral deformity from which they spring. There must also be nothing attempted to make the exhibition subservient to what is vulgarly termed...
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The Complete Poetical Works of Percy Bysshe Shelley

Percy Bysshe Shelley - 1901 - 712 Seiten
...the pleasure which arises from the poetry_sMcli exists in these tempestuous sufferings and Citifies may mitigate the pain of the contemplation of the moral deformity from which they spring. ~ There must also be nothing attempted to make the exhibition subservient to/ what is vulgarly termed...
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The Dramatic Poems of Percy Bysshe Shelley

Percy Bysshe Shelley - 1922 - 436 Seiten
...generations of mankind. This story of the Cenci is indeed eminently fearful and monstrous : anything like a dry exhibition of it on the stage would be...contemplation of the moral deformity from which they spring. There must also be nothing attempted to make the exhibition subservient to what is vulgarly termed...
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Theatre Arts Magazine, Band 8,Teil 1

Sheldon Cheney, Edith Juliet Rich Isaacs - 1924 - 490 Seiten
...preface to the play, he says: "The story of The Cenci is indeed eminently fearful and monstrous; anything like a dry exhibition of it on the stage would be...contemplation of the moral deformity from which they spring. . . . There must also be nothing attempted to make the exhibition subservient to what is vulgarly termed...
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Types of World Tragedy

Robert Metcalf Smith - 1928 - 676 Seiten
...generations of mankind. This story of the Cenci is indeed eminently fearful and monstrous: anything like a dry exhibition of it on the stage would be...contemplation of the moral deformity from which they spring. There must also be nothing attempted to make the exhibition subservient to what is vulgarly termed...
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The Dark Angel: Gothic Elements in Shelley's Works

John V. Murphy - 1975 - 212 Seiten
...does without acting as she did. Thus, we justify her and our own emotional response at the same time "so that the pleasure which arises from the poetry...contemplation of the moral deformity from which they spring." 28 Our casuistry subtly leads us back into the vicious Cenci world where everything can be explained...
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The Selected Poetry & Prose of Shelley

Percy Bysshe Shelley - 1994 - 752 Seiten
...generations of mankind. This story of the Cenci is indeed eminendy fearful and monstrous: anything like a dry exhibition of it on the stage would be...contemplation of the moral deformity from which they spring. There must also be nothing attempted to make the exhibition subservient to what is vulgarly termed...
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Gothic Bodies: The Politics of Pain in Romantic Fiction

Steven Bruhm - 1994 - 210 Seiten
...the ideal, and diminish the actual horror of the events," so that the pleasure of the poetry might "mitigate the pain of the contemplation of the moral deformity from which they spring" ("Preface," Poetry and Prose 239-240). From this mitigation, he hoped to make the "Imagination ......
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England in 1819: The Politics of Literary Culture and the Case of Romantic ...

James Chandler - 1999 - 616 Seiten
...describing the "story of the Cenci [as] indeed eminently fearful and monstrous," he argues the need to "increase the ideal, and diminish the actual horror...contemplation of the moral deformity from which they spring" (pp. 239-40). Before the end of the year Shelley would turn from tempestuous Rome in 1 599 to confront...
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