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Books Bücher 91 - 100 von 122 in Ah ! then if mine had been the painter's hand To express what then I saw, and add...
" Ah ! then if mine had been the painter's hand To express what then I saw, and add the gleam, The light that never was on sea or land, The consecration, and the poet's dream... "
Poems - Seite 338
von William Wordsworth, Dorothy Wordsworth - 1815
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Emily Dickinson and Her Culture: The Soul's Society

Barton Levi St Armand - 1986 - 384 Seiten
...(Reproduction from the author's collection.) LONE LANDSCAPES Dickinson, Ruskin, and Victorian Aesthetics Alt! then, if mine had been the Painter's hand, To express...and add the gleam, The light that never was, on sea or land, 7 he consecration, and the Poet's dream; I would have planted thee, thou hoary Pile Amid a...
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Biographia Literaria, Or, Biographical Sketches of My Literary Life and Opinions

Samuel Taylor Coleridge - 1984 - 856 Seiten
...are at once an instance and an illustration, he does indeed to all thoughts and to all objects — -add the gleam, The light that never was on sea or land, The consecration, and the poet's dream. 4 I shall select a few examples as most obviously manifesting this faculty; but if I should ever be...
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Selected Poems

William Wordsworth - 1994 - 587 Seiten
...away, or brings: I could have fancied that the mighty Deep Was even the gentlest of all gentle Things. Ah! THEN, if mine had been the Painter's hand, To...this! Beside a sea that could not cease to smile; 20 On tranquil land, beneath a sky of bliss. Thou shouldst have seemed a treasure-house divine Of peaceful...
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Lord Byron: The Critical Heritage

Andrew Rutherford - 1995 - 513 Seiten
...piping a slender Irishism, remotely reminiscent of the posy, 'Beauty is truth, that is all you know.' The gleam, The light that never was on sea or land, The consecration and the poet's dream, appear, after all, to him who has his eyes upon life, not to him who turns from it. Those who pursue...
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Advances in Visual Semiotics: The Semiotic Web 1992-93

Thomas Albert Sebeok, Donna Jean Umiker-Sebeok - 1995 - 667 Seiten
...Castle', before be has nominally described it. 'If mine had been the Painter's hand...' the poet fancies, 'I would have planted thee, thou hoary Pile / Amid a world how different from this!' (Roe 1992: 244, 13, 17-18). The speaker 'half-creates' the 'rugged Pile' at least three separate times,...
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Corresponding Powers: Studies in Honour of Professor Hisaaki Yamanouchi

Hisaaki Yamanouchi - 1997 - 248 Seiten
...hand," Wordsworth had written in Elegiac Stanzas, Suggested by a Picture ofPeele Castle in a Storm, To express what then I saw - and add the gleam, The...sea or land, The consecration and the poet's dream. (13-16) Considering how much Wordsworth Keats is quoting at this period, lines 30-2 of the verse-letter...
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Romantic Confusions of the Good: Beauty as Truth, Truth Beauty

Marion Montgomery - 1997 - 237 Seiten
...being in things. Otherwise the poet will be led, as Wordsworth recalls was his early inclination, to "add the gleam,/ The light that never was, on sea or land,/ The consecration, and the Poet's dream." That, we shall contend, is the use Shelley would make of beauty, commanding beauty as a thing transcendent,...
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The Time of Unrememberable Being: Wordsworth and the Sublime, 1787-1805

Klaus P. Mortensen - 1998 - 200 Seiten
...the following verses Wordsworth describes how, had he been Beaumont, he would have treated the motif: Ah! THEN, if mine had been the Painter's hand, To...to smile; On tranquil land, beneath a sky of bliss. A picture had it been of lasting ease Elysian quiet, without toil or strife; No motion but the moving...
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Coleridge and the Uses of Division

Seamus Perry - 1999 - 303 Seiten
...on to quote from Wordsworth's 'Elegiac Stanzas', 'at once an instance and an illustration', imply: 'add the gleam, / The light that never was on sea or land, / The consecration, and the ''1 Harold BliK1m, The Rtngers 1n the Tower: Studies in Romantic Tradition (Chicago. 1971), 18,19....
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The Artist on the Artist

Harry Guest - 2000 - 462 Seiten
...old time, The lightning, the fierce wind, and trampling waves. When he first saw Beaumont's picture if mine had been the Painter's hand, To express what...to smile; On tranquil land, beneath a sky of bliss but that would have been a false, unworthy work of art, the product of "the fond illusion of my heart"...
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