 | William Shakespeare - 1992 - 196 Seiten
...Elsinore. Good my lord. [Exeunt Rosencrantz and Guildenstem. Ay, so, God buy you! Now I am alone. O, what a rogue and peasant slave am I! Is it not monstrous...a dream of passion, Could force his soul so to his own conceit That from her working59 all his visage wanned, Tears in his eyes, distraction in's aspect,... | |
 | Lars Engle - 1993 - 284 Seiten
...incapacity to force his soul to his conceit. This particular case deserves more detailed discussion. O what a rogue and peasant slave am I! Is it not monstrous...a dream of passion. Could force his soul so to his own conceit That from her working all his visage wann'd. Tears in his eyes, distraction in his aspect,... | |
 | William Shakespeare - 1995 - 136 Seiten
...be true, And it must follow as the night the day Thou canst not then be false to any man. 19 O, what a rogue and peasant slave am I! Is it not monstrous...a dream of passion, Could force his soul so to his own conceit That from her working all his visage wanned, Tears in his eyes, distraction in his aspect,... | |
 | Richard Courtney - 1995 - 274 Seiten
...tragedy is back on course. "Now I am alone," says Hamlet. It is a long time since he was so. O, what a rogue and peasant slave am I! Is it not monstrous...a dream of passion, Could force his soul so to his own conceit That from her working all his visage wanned ... (546-551) "This player here": Burbage gestures... | |
 | Pauline Kiernan - 1998 - 236 Seiten
...it not monstrous', Hamlet asks, that it is the fictitiousness of drama which compels belief? O what a rogue and peasant slave am I! Is it not monstrous...his visage wann'd, Tears in his eyes, distraction in his aspect, A broken voice, and his whole function suiting With forms to his conceit? And atifor nothing!... | |
 | Plato - 1996 - 268 Seiten
...131-5. For the phenomenon which the passage as a whole describes cf. Hamlet's words (Act 2, scene 2): 'Is it not monstrous, that this player here, | But...his visage wann'd; | Tears in his eyes, distraction in's aspect, | A broken voice, and his whole function suiting, | With forms to his conceit? and all... | |
 | Moses Mendelssohn - 1997 - 370 Seiten
...Shakespeare is able to draw from these common circumstances - the Prince speaks with himself: O, what a rogue and peasant slave am I! Is it not monstrous...whole conceit That from her working all his visage wanned, Tears in his eyes, distraction in 's aspect, A broken voice, and his whole function suiting... | |
 | Richard Halpern - 1997 - 308 Seiten
...recites a speech about the death of Priam, prompting one of Hamlet's notorious soliloquies: O, what a rogue and peasant slave am I! Is it not monstrous...a dream of passion, Could force his soul so to his own conceit That from her working all the visage wann'd, Tears in his eyes, distraction in his aspect,... | |
 | Stephen Orgel, Sean Keilen - 1999 - 356 Seiten
...eager for a passionate speech is yet surprised when it comes and when it seizes the player: O, what a rogue and peasant slave am I! Is it not monstrous...a dream of passion, Could force his soul so to his own conceit That from her working all his visage wanned, Tears in his eyes, distraction in his aspect,... | |
 | Tom Lutz - 2001 - 358 Seiten
...dramatic art and the riddle of human empathy as well, in one of the play's best-known soliloquies: O what a rogue and peasant slave am I! Is it not monstrous...a dream of passion, Could force his soul so to his own conceit That from her working all the visage wann'd, Tears in his eyes, distraction in his aspect,... | |
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O, what a rogue and peasant slave am I ! Is it not monstrous, that this player here, But in a fiction, in a dream of passion, Could force his soul so to his own conceit, That, from her working, all his visage wann'd... 
