 | 1787 - 516 Seiten
...without expectation or preparation. This is a tribute which a painter owes to an architect who compofed like a painter, and was defrauded of the due reward of his merit by the wits of hi». time, who did not underftand the principies of competition in pcetry better than cafms of factious... | |
 | 1834 - 614 Seiten
...abruptly btart out of tin ground without expectation, or preparation. This is a tribute, which a painter owes to an architect, who composed like a painter,...general ruling principles of architecture and painting. Vanbrngh's fate was that of the great I'errault. Both were the objects of the petulant sarcasms of... | |
 | William Wycherley, Leigh Hunt - 1840 - 782 Seiten
...start out ] of the ground without expectation or preparation. This is a tribute which a painter awes to an architect who composed like a painter, and was...defrauded of the due reward of his merit by the wits of the time, who did not understand the principles of composition better than he, and who knew little... | |
 | Leigh Hunt - 1848 - 348 Seiten
...abruptly start out of the ground without expectation or preparation. This is a tribute which a painter owes to an architect who composed like a painter,...general ruling principles of architecture and painting. Vanbrugh's fate was that of the great Perrault. Both were the objects of the petulant sarcasms of factious... | |
 | Leigh Hunt - 1848 - 334 Seiten
...abruptly start out of the ground without expectation or preparation. This is a tribute which a painter owes to an architect who composed like a painter,...principles of composition in poetry better than he, and who hneiv little or nothing of what he understood perfectly, — the general ruling principles of architecture... | |
 | Horace Walpole (4th earl of Orford.) - 1849 - 462 Seiten
...expeetation or preparation. " This is a tribute whieh a painter owes to an arehiteet, who eomposed lite i painter, and was defrauded of the due reward of his merit by the wits of his timo, who did not understand the prineiples of eomposition in poetry better than he and who knew little... | |
 | Charles Knight - 1859 - 536 Seiten
...abruptly start out of the ground without expectation or preparation. This is a tribute which a painter owes to an architect who composed like a painter;...who did not understand the principles of composition iu poetry better than he ; and who knew little or nothing, of what he understood perfectly, the general... | |
 | Leigh Hunt - 1859 - 478 Seiten
...this narration (Steele's), the truth of facts and character \s in general fairly represented," posed like a painter, and was defrauded of the due reward...principles of composition in poetry better than he, and ivho knew little or nothing of what he understood perfectly — the general ruling principles of architecture... | |
 | Sir Joshua Reynolds, Allan Cunningham - 1860 - 394 Seiten
...abruptly start out of the ground without expectation or preparation. This is a tribute which a Painter owes to an Architect who composed like a painter ;...Architecture and Painting. His fate was that of the great Pcrrault; both were the objects of the petulant sarcasms of factious men of letters ; and both have... | |
 | Robert Chambers - 1862 - 880 Seiten
...and refused to pay what was due to him as salary. Sir Joshua Reynolds declared Vanbrugh to have been defrauded of the due reward of his merit, by the wits of the time, who knew not the rules of architecture. ' Vanbrugh's fate was that of the great Perault :... | |
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This is a tribute which a painter owes to an architect who composed like a painter, and was defrauded of the due reward of his merit by the wits of his time, who did not understand the principles of composition in poetry better than he, and who knew little... 
