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" tis pretty to force together Thoughts so all unlike each other; To mutter and mock a broken charm, To dally with wrong that does no harm. Perhaps 'tis tender too and pretty 670 At each wild word to feel within A sweet recoil of love and pity. "
Christabel
von Samuel Taylor Coleridge - 1907 - 113 Seiten
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The ancient mariner und Christabel, Band 26

Samuel Taylor Coleridge - 1907 - 540 Seiten
...mock a broken charm, To dally with wrong that does no harm. 670 Perhaps 'tis tender too and pretty At each wild word to feel within A sweet recoil of...world of sin (O sorrow and shame should this be true!) 675 Such giddiness of heart aud brain Comes seldom save from rage aud pain, So talks as it's most used...
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The Visionary Company: A Reading of English Romantic Poetry

Harold Bloom - 1971 - 516 Seiten
...and mock a broken charm, To dally with wrong that does no harm, Perhaps 'tis tender too and pretty At each wild word to feel within A sweet recoil of...a world of sin (O sorrow and shame should this be truel) Such giddiness of heart and brain Comes seldom save from rage and pain, So talks as it's most...
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The Atlantic Monthly, Band 73

1894 - 926 Seiten
...mock a broken charm ; To dally with Wrong that does no Harm ; Perhaps 't is tender, too, and pretty At each wild word to feel within A sweet Recoil of Love and Pity ; And what if in a World of Sin (0 sorrow and shame, should this be true 1) Such Giddiness of Heart and Brain Comes seldom, save from...
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Coleridge and Textual Instability: The Multiple Versions of the Major Poems

Jack Stillinger - 1994 - 268 Seiten
...mock a broken charm, To dally with wrong that does no harm. 670 Perhaps 'tis tender too and pretty At each wild word to feel within A sweet recoil of...world of sin (O sorrow and shame should this be true!) 675 Such giddiness of heart and brain Comes seldom save from rage and pain, So talks as it's most used...
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British Romanticism and the Science of the Mind

Alan Richardson - 2001 - 270 Seiten
...Hartley's namesake, giving an neo-associationist account of unconscious, affect-laden, embodied cognition: And what, if in a world of sin (O sorrow and shame...should this be true!) Such giddiness of heart and brain Come seldom save from rage and pain, So talks as it's most used to do. The "1 AM" here becomes an "it,"...
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Selected Poetry

Samuel Taylor Coleridge - 2002 - 260 Seiten
...and mock a broken charm, To dally -with wrong that does no harm. Perhaps 'tis tender too and pretty At each wild word to feel within A sweet recoil of...this be true /) Such giddiness of heart and brain Comes seldom save from rage and pain, So talks as it's most used to do. PageiGS: FROST AT MIDNIGHT:...
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Selected Poetry

Samuel Taylor Coleridge - 2002 - 260 Seiten
...and mock a broken charm, To dally with wrong that does no harm. Perhaps 'tis tender too and pretty At each wild word to feel within A sweet recoil of...a world of sin (O sorrow and shame should this be truef) Such giddiness of heart and brain Comes seldom save from rage andpaint So talks as it's most...
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Lyrical Ballads and Other Poems

William Wordsworth, Samuel Taylor Coleridge - 2003 - 356 Seiten
...Upon his heart, that he at last Must needs express his love's excess With words of unmeant bitterness. Perhaps 'tis pretty to force together Thoughts so...this be true!), Such giddiness of heart and brain Comes seldom save from rage and pain, So talks as it's most used to do. Dejection: An Ode Late, late...
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Visual Perversity: A Re-articulation of Maternal Instinct

Alina M. Luna - 2004 - 128 Seiten
...and mock a broken charm, To dally with wrong that does no harm. Perhaps 'tis tender too and pretty At each wild word to feel within A sweet recoil of...should this be true!) Such giddiness of heart and brain Comes seldom save from rage and pain, So talks as it's most used to do. (ll.556-77) There seems, in...
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Shakespeare's Heroines

Anna Murphy Jameson - 2005 - 472 Seiten
...and mock a broken charm, To dally with wrong that does no harm! Perhaps 'tis tender, too, and pretty, At each wild word to feel within A sweet recoil of love and pity. plays like a light over every part of her character — which animates every line she utters — which...
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