 | David D. Acker - 1994 - 142 Seiten
...think long." message may get lost if you become too involved in "staging" the presentation. There's a language in her eye, her cheek, her lip, Nay, her...spirits look out At every joint and motive of her body. —William Shakespeare VI NON-VERBAL COMMUNICATION SKILLS When Demosthenes was asked what was the first... | |
 | Laura Christian Ford - 1994 - 308 Seiten
...what he thinks of her in terms that almost say she asked for it: ULYSSES: Fie, fie upon her! There's language in her eye, her cheek, her lip, Nay, her...O, these encounterers, so glib of tongue, That give accosting welcome ere it comes, And wide unclasp the tables of their thoughts To every ticklish reader!... | |
 | Mary Beth Rose - 1995 - 208 Seiten
...by refusing her the kiss she has not asked for, interprets her behavior: Fie, fie upon her! There's language in her eye, her cheek, her lip, Nay, her...wide unclasp the tables of their thoughts To every ticklish reader! set them down For sluttish spoils of opportunity And daughters of the game. (4.5.54-63)... | |
 | John Russell - 1995 - 260 Seiten
...her flirtatiousness is so pronounced that Ulysses is prompted to exclaim, Fie, fie upon her! There's language in her eye, her cheek, her lip; Nay, her...wide unclasp the tables of their thoughts To every ticklish reader, set them down For sluttish spoils of opportunity And daughters of the game. (IV.v.54-63)... | |
 | Cathy Lynn Preston - 1995 - 294 Seiten
...more. Writing Women: The Romance Writers of America 1992 Spring Conference Fie, fie upon her! There's language in her eye, her cheek, her lip. Nay. her...spirits look out At every joint and motive of her body. — William Shakespeare (Trotlus and Cressida) The good ended happily and the bad unhappily. That is... | |
 | Lisa Jardine - 1996 - 224 Seiten
...made at Cressida's expense in Troilus and Cressida (4.5.54-63): 'Ulysses. Fie, fie upon her! / There's language in her eye, her cheek, her lip - / Nay, her...these encounterers, so glib of tongue, / That give accosting welcome ere it comes, / And wide unclasp the tables of their thoughts / To every ticklish... | |
 | Hugh Grady - 1996 - 270 Seiten
...interprets it at the end, as proof of Cressida's infidelity and worthlessness: Fie, fie upon her! There's language in her eye, her cheek, her lip. Nay, her...spirits look out At every joint and motive of her body. (iv. v. 54-7) But in Ulysses ' metaphor, the wanton spirits that look out from Cressida's body are... | |
 | Frederick Kiefer - 1996 - 394 Seiten
...Ulysses watches Cressida kissing the Greeks, we witness figurative rather than literal reading: "There's language in her eye, her cheek, her lip, / Nay, her...look out / At every joint and motive of her body" (4.5.55-57). Ulysses' remark recalls Thomas Wilson's observation that "The gesture of a man, is the... | |
 | J. L. Styan - 1996 - 452 Seiten
...under the jaundiced eye of Ulysses: NESTOR. A woman of quick sense. ULYSSES. Fie, fie upon her! There's language in her eye, her cheek, her lip Nay, her foot...spirits look out At every joint and motive of her body. (4-5-54-7) It is for the audience to look at Cressida's protracted departure upstage and decide whether... | |
 | Clive Barker, Simon Trussler - 1997 - 108 Seiten
...words, but to the watching Ulysses what she does and what she is are still more provocative: There's language in her eye, her cheek, her lip, Nay, her...spirits look out At every joint and motive of her body. (IV, v, 55-7) In As You Like It, sexual desire is said to be sudden and reckless on both sides, like... | |
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Fie, fie upon her! There's language in her eye, her cheek, her lip, Nay, her foot speaks ; her wanton spirits look out At every joint and motive of her body. 
