 | C. Rachel Jones - 1885 - 246 Seiten
...advantage. " What the foreground is in painting is the real ground " upon which the building is erected, and no architect took " greater care that his work should not appear crude and " hard—that is, it did not abruptly start out of the ground " without expectation or preparation.... | |
 | William Henry Davenport Adams - 1886 - 418 Seiten
...advantage. What the background is in painting, is the real ground upon which the building is erected ; and no architect took greater care that his work should not appear crude and hard ; that is, it did not abruptly start out of the ground without expectation or preparation. This is the tribute... | |
 | Walter Thornbury - 1879 - 604 Seiten
...background is in painting, in architecture is the real ground on which the building is erected ; and no architect took greater care that his work should...ground without expectation or preparation." " This is a tribute which a painter owes to an architect who composed like a painter, and was defrauded of the... | |
 | Sir Joshua Reynolds - 1887 - 332 Seiten
...and no Architect took greater care than he that his work should not appear crude and hard ; that is, it did not abruptly start out of the ground without expectation or preparation. This is a tribute which a Painter owes to an Architect who composed like a painter ; and was defrauded of the... | |
 | Sir Joshua Reynolds - 1887 - 330 Seiten
...and no Architect took greater care than he that his work should not appear crude and hard ; that is, it did not abruptly start out of the ground without expectation or preparation. This is a tribute which a Painter owes to an Architect who composed like a painter; and was defrauded of the... | |
 | John Vanbrugh - 1896 - 552 Seiten
...back-ground is in painting, in architecture is the real ground on which the building is erected ; and no architect took greater care that his work should...ground without expectation or preparation." This is a tribute which a painter owes to an architect who composed like a painter, and was defrauded of the... | |
 | Sir Reginald Theodore Blomfield - 1897 - 382 Seiten
...and no architect took greater care than he that his work should not appear crude and hard, that is, it did not abruptly start out of the ground without expectation or preparation." Vanbrugh, as I have pointed out, was not the inventor of this method of design, but he used it very... | |
 | Sir Reginald Theodore Blomfield - 1904 - 402 Seiten
...and no architect took greater care than he that his work should not appear crude and hard, that is, it did not abruptly start out of the ground without expectation or preparation." Vanbrugh, as I have pointed out, was not the inventor of this method of design, but he used it freely... | |
 | Sir Joshua Reynolds - 1905 - 564 Seiten
...and no architect took greater care than he that his work should not appear crude and hard : that is, it did not abruptly start out of the ground without expectation or preparation. This is a tribute which a painter owes to an architect who composed like a painter ; and was defrauded of the... | |
 | Frederick Moore Simpson - 1911 - 520 Seiten
...composition. To support his principal object, he produced his second and third groups, or masses. . . . No architect took greater care that his work should...ground without expectation or preparation." This is high praise, and it is deserved. His buildings do rise from the ground, largely because of the semibasement... | |
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What the back-ground is in painting, in architecture is the real ground on which the building is erected ; and no architect took greater care that his work should not appear crude and hard, that is, that it did not abruptly start out of the ground without... 
