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" What the back-ground is in painting, in architecture is the real ground on which the building is erected ; and no architect took greater care that his work should not appear crude and hard, that is, that it did not abruptly start out of the ground without... "
An Encyclopædia of Architecture: Historical, Theoretical, and Practical - Seite 216
von Joseph Gwilt - 1842 - 1089 Seiten
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Lives of British Dramatists, Band 2

1918 - 492 Seiten
...back-ground is in painting, in architecture is the real ground on which the building is erected; and no architect took greater care that his work should...ground without expectation or preparation. This is a tribute which a painter owes to an architect who composed like a painter, and was defrauded of the...
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The Renaissance of Roman Architecture: England

Sir Thomas Graham Jackson - 1922 - 328 Seiten
...composition. To support his principal object he produced his second and third groups or masses ...... and no architect took greater care that his work should not appear crude and hard. That is, it did not abruptly start out of the ground without expectation or preparation1." Both at Castle Howard...
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Cities Built to Music: Aesthetic Theories of the Victorian Gothic Revival

Michael Bright - 1984 - 328 Seiten
...then proceeds to praise Vanbrugh, "an Architect who composed like a Painter," because his buildings "did not abruptly start out of the ground without expectation or preparation" ("Discourse XIII"). In attributing this virtue to Vanbrugh, Reynolds is applying the principle of insensible...
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The Students' Cabinet Library of Useful Tracts, Band 5

1839 - 348 Seiten
...no architect took greater care than he that his work should not appear crude and hard, — that is, it did not abruptly start out of the ground without expectation or preparation. This is a tribute which a painter owes to an architect who composed like a painter ; and was defrauded of the...
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