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Books Bücher 21 - 30 von 68 in What the back-ground is in painting, in architecture is the real ground on which...
" What the back-ground is in painting, in architecture is the real ground on which the building is erected ; and no architect took greater care that his work should not appear crude and hard, that is, that it did not abruptly start out of the ground without... "
An Encyclopædia of Architecture: Historical, Theoretical, and Practical - Seite 216
von Joseph Gwilt - 1842 - 1089 Seiten
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The land we live in, a pictorial and literary sketch-book of the British empire

British empire - 1847
...union of the building with the surrounding locality, and the great care which " the architect took that his work should not appear crude and hard : that...of the ground without expectation or preparation." Woodstock will, of course, be looked at on quitting Blenheim. But there is nothing in it worthy of...
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The Town: Its Memorable Characters and Events. St. Paul's to St. James's, Band 2

Leigh Hunt - 1848 - 312 Seiten
...back-ground is in painting, in architecture is the real ground on which the building is erected ; and no architect took greater care that his work should...ground without expectation or preparation. This is a tribute which a painter owes to an architect who composed like a painter, and was defrauded of the...
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The literary works of Sir Joshua Reynolds: ... to which is prefixed, a ...

Sir Joshua Reynolds, Thomas Gray, Charles-Alphonse Dufresnoy - 1852
...and no Architect took greater care than he that his work should not appear crude and hard ; that is, it did not abruptly start out of the ground without expectation or preparation. This is a tribute which a Painter owes to an Architect who composed like a painter ; and was defrauded of the...
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The land we live in, a pictorial and literary sketch-book of the British empire

British empire - 1856
...union of the building with the surrounding locality, and the great care which " the architect took that his work should not appear crude and hard : that...of the ground without expectation or preparation." Woodstock will, of course, be looked at on quitting Blenheim. But there is nothing in it worthy of...
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Popular history of England, Band 5

Charles Knight - 1859
...and no architect took greater care than he that his work should not appear crude and hard: that is, it did not abruptly start out of the ground without expectation or preparation. This is a tribute which a painter owes to an architect who composed like a painter; and was defrauded of the...
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The Life and Writings of Sir Joshua Reynolds: First President of the Royal ...

Sir Joshua Reynolds - 1860 - 369 Seiten
...and no Architect took greater care than he that his work ehould not appear crude and hard ; that is, it did not abruptly start out of the ground without expectation or preparation. This is a tribute which a Painter owes to an Architect who composed like a painter ; and was defrauded of the...
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The History of Civilization, Band 7

Amos Dean - 1869
...What the back ground is in painting, is the real ground upon which the building is erected ; l and no architect took greater care that his work should not appear crude and hard, that is, it did not abruptly start out of the ground without expectation or preparation." So, Sir Uvcdale Price,...
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The Dramatic Works of Wycherley, Congreve, Vanbrugh, and Farquhar: With ...

William Wycherley - 1875 - 668 Seiten
...back-ground is in painting, in architecture is the real ground on which the building is erected ; and . 0C . a tribute which a painter owes to an architect who composed like a painter, and was defrauded of the...
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The Dramatic Works of Wycherley, Congreve, Vanbrugh, and Farquhar: With ...

William Wycherley - 1875 - 668 Seiten
...back-ground is in painting, in architecture is the real ground on which the building is erected ; and E 2 [ 榡 C Th&t껈2 | a9 j;"WjSr C A G % Y9 lN ʑ1 I 7Rf I q g: ThU is a tribute which a painter owes to an architect who composed like a painter, and was defrauded...
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The Princess Charlotte of Wales: An Illustrated Monograph

C. Rachel Jones - 1885 - 173 Seiten
...advantage. " What the foreground is in painting is the real ground " upon which the building is erected, and no architect took " greater care that his work should not appear crude and " hard — that is, it did not abruptly start out of the ground " without expectation or preparation. This is the tribute...
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