 | Allan Cunningham - 1831 - 438 Seiten
...erected ; and no architect took greater care that his work should not appear crude and hard ; that is, it did not abruptly start out of the ground without...the tribute which a painter owes to an architect who composed like a painter." Sir Uvedale Price, whose work on the picturesque will never be forgotten,... | |
 | Allan Cunningham - 1831 - 400 Seiten
...advantage. What the back ground is in painting, is the real ground upon which the building is erected ; and no architect took greater care that his work should not appear crude and hard ; that is, it did not abruptly start out of the ground without expectation or preparation. This is the tribute... | |
 | 1834 - 614 Seiten
...back-ground is in painting, in architecture is the real ground on which the building is erected ; and no architect took greater care that his work should...crude and hard ; that is, that it did not abruptly btart out of tin ground without expectation, or preparation. This is a tribute, which a painter owes... | |
 | 1834 - 730 Seiten
...back-ground is in painting, in architecture is the real ground on which the building is erected; and no architect took greater care that his work should...hard ; that is, that it did not abruptly start out of thi ground without expectation, or preparation. This is a tribute, which a painter owes to an architect,... | |
 | Sir Joshua Reynolds - 1835 - 514 Seiten
...and no Architect took greater care than he that his work should not appear crude and hard : that is, it did not abruptly start out of the ground without expectation or preparation. This is a tribute which a Painter owes to an Architect who composed like a Painter ; and was defrauded of the... | |
 | sir Joshua Reynolds - 1835 - 536 Seiten
...and no Architect took greater care than he that his work should not appear crude and hard : that is, it did not abruptly start out of the ground without expectation or preparation. who did not understand the principles of composition in poetry better than he ; and who knew little,... | |
 | William Wycherley, Leigh Hunt - 1840 - 784 Seiten
...back -ground is in painting, in architecture is the real ground on which the building is erected ; and no architect took greater care that his work should...ground without expectation or preparation. This is a tribute which a painter owes to an architect who composed like a painter, and was defrauded of the... | |
 | William Wycherley, Leigh Hunt - 1840 - 782 Seiten
...back-ground is in painting, in architecture is the real ground on which the building is erected ; and no architect took greater care that his work should...ground without expectation or preparation. This is a tribute which a painter awes to an architect who composed like a painter, and was defrauded of the... | |
 | Sir Joshua Reynolds - 1824 - 318 Seiten
...and no architect took greater care than he that his work should not appear crude and hard : that is, it did not abruptly start out of the ground without expectation or preparation. This is a tribute which a painter owes to an architect who composed like a painter; and was defrauded of the... | |
 | Sir Joshua Reynolds - 1846 - 506 Seiten
...and no Architect took greater care than he that his work should not appear crude and hard; that is, it did not abruptly start out of the ground without expectation or preparation. who did not understand the principles of composition in poetry better than he ; and who knew little,... | |
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What the back-ground is in painting, in architecture is the real ground on which the building is erected ; and no architect took greater care that his work should not appear crude and hard, that is, that it did not abruptly start out of the ground without... 
