 | John Wesley Hales - 1878 - 772 Seiten
...moonlight steeped in silentness The steady weathercock. "And the bay was white with silent light, 480 Till, rising from the same, Full many shapes, that...distance from the prow Those crimson shadows were : 485 I turned my eyes upon the deck — Oh, Christ! what saw I there! "Each corse lay flat, lifeless... | |
 | Samuel Taylor Coleridge - 1878 - 826 Seiten
...as glass, So smoothly it was strewn ! And on the bay the moonlight lay, And the shadow of the Moon. The rock shone bright, the kirk no less, That stands above the rock : The moonlight steeped in silentness The steady weathercock. And the bay was white with silent light Till, rising... | |
 | Herbert Courthope Bowen - 1879 - 382 Seiten
...moon. " The rock shone bright, the kirk no less, That stands above the rock : 4G5 The moonlight steeped in silentness The steady weathercock. " And the bay...from the same, Full many shapes that shadows were, 470 In crimson colours came. " A little distance from the prow Those crimson shadows were : I turned... | |
 | Stein Haugom Olsen - 1978 - 260 Seiten
...improved'.1 The argument for their inclusion is that they are a parallel with these five stanzas : And the bay was white with silent light, Till rising...distance from the prow Those crimson shadows were : I turned my eyes upon the deck Oh, Christ ! what saw I there ! 1 Empson and Pirie, Coleridge's Verse... | |
 | Eugene O'Neill - 1988 - 458 Seiten
...as glass, So smoothly it was strewn! And on the bay the moonlight lay, And the shadow of the moon. The rock shone bright, the kirk no less, That stands...moonlight steep'd in silentness, The steady weathercock. The angelic spirits leave the dead bodies, and appear in their own forms of light. 1 turn'd my eyes... | |
 | Jack Stillinger - 1994 - 268 Seiten
...glass, So smoothly it was strewn! And on the bay the moonlight lay, 475 And the shadow of the moon. The rock shone bright, the kirk no less, That stands above the rock: The moonlight steeped in silentness The steady weathercock. 480 And the bay was white with silent light, Till rising... | |
 | Carl R. Woodring, James Shapiro - 1995 - 936 Seiten
...as glass, So smoothly it was strewn! And on the bay the moonlight lay, And the shadow of the Moon. The rock shone bright, the kirk no less. That stands above the rock: The moonlight steeped in silentness The steadv weathercock. 470 The angelic spirits leave the dead bodies. And the... | |
 | Robert X. Leeds - 1999 - 366 Seiten
...on the bay the moonlight lay, And the shadow of the Moon. The angelic spirits leave the dead bodies. The rock shone bright, the kirk no less, That stands above the rock: The moonlight steeped in silentness The steady weathercock. And the bay was white with silent light, Till rising... | |
 | Keith Johnson, Sue Adamson, Gareth Williams - 2001 - 667 Seiten
...Romantic Poets understood something of the nature of light and sound, and displayed this in their writing: And the bay was white with silent light, Till rising...shapes, that shadows were, In crimson colours came Samuel Taylor Coleridge - Rime of the Ancient Mariner Music when soft voices die Vibrates in the memory... | |
 | Samuel Taylor Coleridge - 2002 - 92 Seiten
...glass, So smoothly it was strewn! And on the bay the moonlight lay, 473 And the shadow of the moon. The rock shone bright, the kirk no less, That stands above the rock: The moonlight steeped in silentness The steady weathercock. 480 And the bay was white with silent light, Till rising... | |
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The harbour-bay was clear as glass, So smoothly it was strewn! And on the bay the moonlight lay, And the shadow of the Moon. The rock shone bright, the kirk no less That stands above the rock: The moonlight... 
