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" Hero had turned nun, if it had not been for a hot midsummer night ; for good youth, he went but forth to wash him in the Hellespont, and being taken with the cramp, was drowned, and the foolish chroniclers of that age found it was — Hero of Sestos.... "
The Works of Shakespeare in Twelve Volumes: Collated with the Oldest Copies ... - Seite 151
von William Shakespeare - 1772
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Twelfth night. Much ado about nothing. As you like it

William Shakespeare - 1841
...cramp, was drowned, and the foolish chroniclers of that age found it was — Hero of Sestos. But these are all lies : men have died from time to time, and worms have eaten them, but not for love. Orl. I would not have my right Rosalind of this mind ; for, I protest, her frown might kill...
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The plays and poems of Shakespeare, according to the improved text ..., Band 4

William Shakespeare - 1842
...cramp, was drowned, and the foolish chroniclers of that age found it was — Hero of Sestos. But these are all lies : men have died from time to time, and worms have eaten them, but not for love. Or/. I would not have my right Rosalind of this mind ; for, I protest, her frown might kill...
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The Works of William Shakespeare: As you like it. The taming of the shrew ...

William Shakespeare, John Payne Collier - 1842
...cramp, was drowned, and the foolish chroniclers of that age found it was — Hero of Sestos1. But these are all lies: men have died from time to time, and worms have eaten them, but not for love. Orl. I would not have my right Rosalind of this mind, for, I protest, her frown might kill...
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The works of Shakspere, revised from the best authorities: with a ..., Band 1

William Shakespeare - 1843
...the foulUti chroniclers of that age found it was " Hero oi Scstos." But these are all lies; men bave died from time to time, and worms have eaten them; but not for love. Orl. I would not have my right Rosalind of this mind ; for I protest her frown might kill...
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Shakespeare and Masculinity

Bruce R. Smith, Bruce R. (Professor of English Smith, Professor of English Georgetown University Washington DC) - 2000 - 182 Seiten
...old, and in all this time there was not any man died in his own person, videlicet, in a love-cause Men have died from time to time, and worms have eaten them, but not for love. (4.1.81-3, 86-101) The word-play here on 'person' (as theatrical role, as legal agent, as...
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The Artist on the Artist

Harry Guest - 2000 - 462 Seiten
...with the cramp was drowned; and the foolish coroners of that age found it was 'Hero of Sestos'.... Men have died from time to time, and worms have eaten them, but not for love". In 1597 Francis Mercs links the fate of Jodelle, dying in poverty in 1573 at the age of...
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Shakespeare: la invención de lo humano

Harold Bloom - 2001 - 734 Seiten
...cramp, was drowned, and the foolish chroniclers of that age found it was Hero of Sestos. But these are all lies: men have died from time to time and worms have eaten them, but not for love. [^.¡.65-103] HAROLD BLOOM casan. Las doncellas son mayo cuando son doncellas, pero el cielo...
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The Death of Comedy

Erich Segal - 2009 - 607 Seiten
...connotations of "dying." In As You Like It, Shakespeare's Rosalind debunked this poetic hyperbole: Men have died from time to time, and worms have eaten them, but not for love.57 Yet here in Shakespeare's last "happy comedy" we have something closer to a real death....
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As You Like It

Jennifer Mulherin, Abigail Frost - 2001 - 31 Seiten
...would die for love of Rosalind but 'Ganymede' scoffs at this romantic idea. To die for love? . . . men have died from time to time, and worms have eaten them, but not for love. Act iv Sc i Orlando soon has to hurry away to keep an appointment. Rosalind eagerly awaits...
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The Origins of English Words: A Discursive Dictionary of Indo-European Roots

Joseph Twadell Shipley - 2001 - 636 Seiten
...ultimate destiny. The disguised Rosalind in As You Like It, iv, 1, laughs at the lovelorn Orlando: "Men have died from time to time, and worms have eaten them, but not for love." The disguised Viola turns the figure in Twelfth Night, ii, 4, picturing her own forced restraint...
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