 | Archibald Alexander - 1853 - 650 Seiten
...head, when she had pierced, And stricken through his temples. At her feet he bowed — he fell — he lay down — At her feet he bowed — he fell — Where he bowed, there he fell down dead. The mother of Sisera looked out at a window, And cried through the lattice, Why is his chariot so long... | |
 | Robert Shittler - 1853 - 718 Seiten
...his head, when she had pierced and stricken through his temples. 27 "At her feet he bowed, he fell, yed, until the people had avenged themselves upon their enemies. Is not this written in 28 The mother of Sisera looked out at a window, and cried through the lattice, Whyis his chariot so... | |
 | 1853 - 764 Seiten
...his head,8 When she had pierced and stricken through his temples. 27 At her feet he bowed, ho fell, 2 28 The mother of Sisera looked out at a window,— and cried through the lattice, Why is his chariot... | |
 | 1853 - 1116 Seiten
...his head, when she had pierced and stricken through his temples. 27 tAt her feet he bowed, he fell, , tdead. 28 The mother of Sisera looked out at a window, and cried through the lattice, Why is his chariot... | |
 | Samuel Taylor Coleridge - 1853 - 556 Seiten
...the highest degree — in lyric repetitions and sublime tautology — (at her feet he bowed, he fell, he lay down; at her feet he bowed, he fell ; where he bowed, there he fell dawn dead) — and, in lower degrees, in making the words themselves the subjects and materials of... | |
 | Samuel Taylor Coleridge - 1853 - 760 Seiten
...kind ; as illustrated by Mr. Wordsworth himself from the song of Deborah. At her feet he bowed, hefdl, he lay down ; at her feet he bowed, he fell : where he bowed, there he fett down dead. Judges v. 27. CHAPTER XVIII. LANGUAGE OF METRICAL COMPOSITION, WHY AND WHEREIN ESSEXTIALLY... | |
 | Samuel Taylor Coleridge - 1853 - 622 Seiten
...as illustrated by Mr. Wordsworth himself from the song of Deborah. "At her feel he bowed, he fell, er more may meet again, On springy heath, along the hi bouxd, there he fell down dead." CHAPTER XVIII. Language оГ metrical composition, why and wherein... | |
 | Samuel Taylor Coleridge - 1854 - 502 Seiten
...highest degree — in lyric repetitions and sublime tautology — (at her feet he bowed, he fell, lie lay down; at her feet he bowed, he fell ; where he bowed, there he fell down dead) — and, in lower degrees, in making the words themselves the subjects and materials of that surplus... | |
 | Samuel Taylor Coleridge - 1854 - 766 Seiten
...illustrated by Mr. Wordswortn himself from the soug of Deborah. At her feet he bowed, he fell, Jte lay down ; at her feet he bowed, he fell : where he bowed, there he fell down dead. Judges v. 27. A * CHAPTER XVIII. LANGUAGE OF METRICAL COMPOSITION, WHY AND WHEREIN ESSENTIALLY DIFFERENT... | |
 | Church of England - 1855 - 844 Seiten
...off his head, when she had pierced and stricken through his temples. At her feet he bowed, he fell, The mother of Sisera looked out at a window, and cried through the lattice, Why is his chariot so lonff... | |
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At her feet he bowed he fell, he lay down at her feet he bowed, he fell where he bowed, there he fell down dead... 
