| H. Wharton Griffith - 1849 - 248 Seiten
...Criticism, has the following wellknown couplet, in which an Alexandrine is happily exemplified : " A needless Alexandrine ends the song That, like a wounded snake, drags its slow length along." Vixen. — Verstegan says, " Fixen is the name of a shee-fox, otherwise and more anciently, ' foxin.'... | |
| George Campbell - 1849 - 472 Seiten
...another work, has, I think, with better success, made choice of this very measure to exhibit slowness : " A needless Alexandrine ends the song, That, like a wounded snake, drags its slow length along."-) It deserves our notice, that in this couplet he seems to give it as his opinion of the Alexandrine,... | |
| A. D. P. Briggs - 1983 - 268 Seiten
...this line has never made a serious mark. Pope rejects it as unacceptably long, padded out and tedious: A needless Alexandrine ends the song, That, like a wounded snake, drags its slow length along.3 But a large part of Pushkin's purpose in this poem will be actually to depict tedium. How appropriate... | |
| Mark Twain - 1984 - 1078 Seiten
...was so trim a boy. 221.31 ages . . . along] From Alexander Pope, An Essay on Criticism, lines 356-57: A needless Alexandrine ends the song That, like a wounded snake, drags its slow length along. 225.5-6 "butchered . . . holyday."] From Childe Harold's Pilgrimage, Canto IV, Stanza 141. 225.12-13... | |
| John Hollander - 1990 - 280 Seiten
...famous passage from An Essay on Criticism quoted earlier, heaps his scorn on such concluding devices: "A needless Alexandrine ends the Song, / That like a wounded Snake, drags its slow length along," brilliantly slowing up his own line with the "slow length." It is interesting to observe that, less... | |
| Edith P. Hazen - 1992 - 1172 Seiten
...streams 'with pleasing murmurs creep': The reader's threaten'd (not in vain) with 'sleep.' (Fr. II) 43 ages hence Shall this our lofty scene be acted over In states unborn and accents yet unknown! (Fr. II) 44 True ease in writing comes from art, not chance, As those move easiest who have learn'd... | |
| Ian Ousby - 1996 - 452 Seiten
...alexandrine, and Pope vividly demonstrated the reasons for its relative unpopularity among English poets: 'A needless Alexandrine ends the song/ That like a wounded snake drags its slow length along'. The monometer (onefoot line) is rare, like the heptameter (seven-foot line), also called a 'fourteener'... | |
| Mary Oliver - 1998 - 212 Seiten
...'sleep.' Then, at the last and only couplet fraught With some unmeaning thing they call a thought, A needless Alexandrine ends the song, That, like a wounded snake, drags its slow length along. Leave such to tune their own dull rhymes, and know What's roundly smooth, or languishingly slow; And... | |
| Alexander Pope - 1998 - 260 Seiten
...'sleep.' Then, at the last and only couplet fraught With some unmeaning thing they call a thought, A needless Alexandrine ends the song, That, like a wounded snake, drags its slow length along. Leave such to tune their own dull rhymes, and know What's roundly smooth, or languishing!}- slow; And... | |
| Katherine Sherwood Bonner McDowell - 2000 - 532 Seiten
...occasion. 15. Uncomplimentary lines borrowed from Pope's Essay on Criticism, Part 2, lines 356-57. "A needless Alexandrine ends the song, / That, like a wounded snake, drags its slow length along." Bonner repeats this allusion in Boston column 6. 1 6. Linked with the words "went under," possibly... | |
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