Dionysus since 69 : greek tragedy at the dawn of the third millennium
Greek tragedy is currently being performed more frequently than at any time since classical antiquity. This lavishly illustrated book is the first attempt fully to document and explain its revival. It assembles fourteen essays by specialists from classics, theatre studies, and the professional theatre, who relate the recent production history of Greek tragedy to social and academic trends.
xviii, 480 p. : il. ; 22 cm.
9780199259144, 0199259143
1025286062
1. Introduction: Why Greek tragedy since the late 1960s? ; 1. DIONYSUS AND THE SEX WAR ; 2. Dionysus in '69 ; 3. Bad women: gender politics in late twentieth-century performance and revision of Greek tragedy ; 4. Heracles as Dr Strangelove and GI Joe: male heroism deconstructed ; 2. DIONYSUS IN POLITICS ; 5. Sophocles' Philoctetes, Seamus Heaney's, and some other recent half-rhymes ; 6. Aeschylus, race, class, and war in the 1990s ; 7. Greek tragedy in cinema: theatre, politics, history ; 8. Greek drama and anti-colonialism: decolonising Classics ; 3. DIONYSUS AND THE AESTHETICS OF PERFORMANCE ; 9. The use of masks in modern performances of Greek tragedy ; 10. Greek notes in Samuel Beckett's theatre art ; 11. Greek Tragedy in late twentieth-century opera ; 4. DIONYSUS AND THE LIFE OF THE MIND ; 12. Oedipus in the East End: from Freus to Berkoff ; 13. Thinking about the origins of theatre in the 1970s ; 14. The voices we hear ; 15. Details of productions discussed